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Dados Na Mão II
Brazilian funk montage instrumental at 128 BPM in a minor key, built on heavy controlled batidão kicks, distorted sub-bass, syncopated baile percussion, and a sharp minimal game-synth motif. Looping eight-bar form with clear gaps for SFX; verses equivalent keep drums and bass tight, then every eighth bar hits a brief silence, bass fake-out, or filtered switch before slamming back. Glitch stabs, tiny vocal textures, bright punchy mix., synthetic, fake, vocal, minimal, anime, playful, clean, baile funk, glitch, rhythmic, funk
Hands Off Baby II
Brazilian funk with phonk saturation, 134 BPM, F minor, syncopated batidão drums and elastic distorted bass; hook-first structure with verse hit, half-beat dropouts, then crushing bass returns. Close-mic female MC vocal, playful and provocative, with whispered threats, rhythmic chants, chopped repeats, and ad-lib doubles. Minimal seductive synth hook, stop-start tension, sweaty midnight club atmosphere, dark and dangerous mix with thick low-end and sharp top-end bite., vocal, seductive, strong, emotional, rhythmic, edm, minimal, romantic, funk, sensual, playful, pop
Arcade Batidão Loop II
Brazilian funk montagem with a hypnotic 108 BPM half-slow pulse, minor-key batidão groove, huge distorted low end, clipped kicks and long bass tails. Minimal loop-based arrangement: verse texture stays sparse with drums and sub; a midsection adds the glassy video-game synth; final section drops in pitch-lowered chopped vocal fragments and sudden silence gaps before crushing returns. Dreamy, dangerous, and neon-bright, with a wide, warped, slightly dusty mix., funk, synthetic, trance, simple, hypnotic, anime, low, deep, vocal, emotional, minimal, pop
Bate Bate
Brazilian automotivo funk, 130 BPM, C-sharp minor, male vocals; immediate hook-driven chant with brutally dry clipped kick, huge sub pressure, sparse metallic percussion, and a sharp repeating stab; verse and chorus collapse into one addictive command phrase; rhythmic shouted doubles, gang ad-libs on the hook, gritty close-mic lead, dirty overloaded physical mix with vinyl-crushed edges, hard rises into each repeat, final chant slams wider and louder, raw, vocal, edm, electronic, funk, emotional
Mascot Final Form II
Brazilian phonk and funk montagem with 142 BPM minor-key batidão, instant three-note synth hook, clipped kicks, distorted sub drops, candy digital melodies, high-pitched vocal chops, fake game-over blips, one-beat silences, pitch dives, and abrupt restart stutters; short viral structure with fast cut arrangement, robotic giggle doubles, whispered-to-shouted lead flips, hyper-catchy and punchy mix, pop, fake, anime, vocal, funk
Combo do Arcade
Brazilian funk montage with aggressive syncopated batidão at 136 BPM in a minor key, fused with strange retro arcade electronics and modern heavy low end; verse rides drums, sub-bass, and a bright mono FM lead, pre-drop strips to menu beeps and bit-crushed stabs, chorus slams with chant-like synth motif and one-beat dropouts, bridge glitches into rapid chops and hard restarts. Crisp, colorful, mechanical, punchy mix., funk, nostalgic, simple, theme, chiptune, monophonic, vocal, rhythmic, rapid, playful, bright

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623 tracks · free · Track licenses

Sera a Venezia
Italian lounge orchestra with a soft bossa groove at 94 BPM; verse-like opening rides upright bass, brushed percussion, and vibraphone lead, then the arrangement blooms with strings, harpsichord flourishes, and lush jazz chords in a graceful chorus swell. Delicate top-line doubles, airy room reverb, and occasional tape-wobble swells frame the melody. Warm dusty tape, intimate and elegant, with a velvety late-night sheen., harpsichord, warm, soft, jazz, lounge
Velvet Sidewalk Glide
Philly soul disco funk at 114 BPM with a swaying four-on-the-floor pocket, tight bass pops, rich major seventh chords, sweeping string lines, wah guitar flickers, and horn answers that punctuate the melody. Verse section stays lean with bass, drums, and clipped rhythm guitar; lift adds strings and brass; final pass opens wide with stacked hooks. Warm dusty tape, close and glossy mix., soul, warm, rich, disco, funk
Harpsichord Pop
French yé-yé pop instrumental at 116 BPM, sweet instantly catchy harpsichord lead carrying a singable major-key melody, lush arranged strings swelling between phrases, bright major-key rhythm guitar chords, tambourine on the backbeat, rounded upright bass walking simply beneath the groove, fuzz guitar answering the harpsichord in short playful call-and-response phrases. Compact verse-and-chorus-like arrangement with a memorable opening hook, string lift into each refrain, a brief instrumental breakdown, then a final expanded melody. Warm dusty 1960s tape coloration, gentle saturation, slightly softened transients, mono-compatible vintage pop mix, lively but polished, no vocals.
Lantern in Lime
Bossa nova lounge with nylon-string guitar, vibraphone, shaker, and upright bass at a relaxed 96 BPM; soft swung groove, verse-like textures that thin to guitar and brushed percussion before a mellow vibraphone lift, subtle filtered swells and gentle room-tone transitions, warm intimate close-mic mix with polished low end, lounge, soft, bossa nova, warm
Maré de Vime
Bossa nova instrumental at 96 BPM with nylon guitar lead carrying a beautiful singable melody; lush major seventh chords, vibraphone answering each phrase, brushed drums and upright bass locked into a relaxed sway. Gentle intro, fuller first theme, airy middle break with guitar-vibe call and response, then a warm reprise. Close-mic, warm dusty tape, intimate room shimmer, soft stereo width and detailed transient sparkle., warm, bossa nova, beautiful
Greasy Hammond
Boogaloo with swaggering 108 BPM groove, greasy major-key changes, walking bass, congas, and a brass section carrying the lead while Hammond organ trades sharp call-and-response phrases with the horns. Verse sections stay lean and percussive; a punchy breakdown strips to bass, congas, and organ; final lift brings full brass hits, clav and organ unison riffs, and bigger syncopation. Warm dusty tape, close room feel, bright horn stabs, and a thick analog mix., warm, boogaloo
Palm-Back Smile
Afroswing and neo-soul at 102 BPM with buoyant two-bar live bass, dry kick and rimshot pocket, soft shakers and congas, and palm-muted highlife guitar. Verse A/B arrangement stays airy and sparse; pre-chorus widens with stacked humming; chorus returns the four-note hook with small variations and gentle call-response. Female lead close-mic with soft male humming replies, subtle doubles, quick delay flicks on the hook, warm intimate mix that feels effortless and elegant., playful, soul, warm, soft, strong, highlife
Moon Palm Drift
Exotica with a dreamy 84 BPM sway, swung shakers and soft mallets circling floating major seventh chords; verse texture stays sparse with vibraphone lead, brushed marimba countermelody, and warm tape hiss, pre-chorus opens with a slow harmonic lift and reverse swell, chorus blooms into wide reverb washes and gentle bell accents. Dusty, lush, and intimate with a glowing vintage stereo image., marimba, exotica, soft, warm
Moon Palm Drift II
Exotica with a dreamy 84 BPM sway, swung shakers and soft mallets circling floating major seventh chords; verse texture stays sparse with vibraphone lead, brushed marimba countermelody, and warm tape hiss, pre-chorus opens with a slow harmonic lift and reverse swell, chorus blooms into wide reverb washes and gentle bell accents. Dusty, lush, and intimate with a glowing vintage stereo image., marimba, exotica, soft, warm
Velvet Turnaround
Jazz waltz at 100 BPM with brushed drums in 3/4, flugelhorn lead over Rhodes voicings and soft upright bass; verse-like sections open sparse, then flute answers the horn in the middle, and a final pass blooms with fuller chord voicings and gentle dynamic lift. Tape-warm chamber feel, close-mic intimacy, subtle room bloom, dusty and elegant mix., jazz, beautiful, warm, soft
Late Train Sly
Lo-fi jazz funk at 92 BPM with a walking upright bass, plunger-muted trumpet, vibraphone comping, and brushed drums riding a hypnotic vamp; verse-like sections stay sparse and smoky, the middle opens with a vibraphone motif and bass walk, then a muted trumpet lead steps forward before the final return to the vamp. Dusty tape hiss, soft vinyl crackle, little drum fill pickups, and warm sidechain bloom under an intimate, close-mic mix., hypnotic, jazz funk, lo-fi
Late Train Sly II
Lo-fi jazz funk at 92 BPM with a walking upright bass, plunger-muted trumpet, vibraphone comping, and brushed drums riding a hypnotic vamp; verse-like sections stay sparse and smoky, the middle opens with a vibraphone motif and bass walk, then a muted trumpet lead steps forward before the final return to the vamp. Dusty tape hiss, soft vinyl crackle, little drum fill pickups, and warm sidechain bloom under an intimate, close-mic mix., hypnotic, jazz funk, lo-fi
Too Many Times
Orchestral lounge with late-1960s early-1970s polish at 104 BPM; brushed acoustic drums, upright bass, restrained vibraphone, nylon-string guitar, muted trumpet, and soft chamber strings. Verse-like phrases stay spare, pre-chorus lifts with a courteous trumpet turn, then the main melody returns one repeat too many. Close, exact, loopable mix with tape saturation, narrow stereo, gentle wow and flutter, faint CRT room tone., lounge, orchestral, soft, jazzy, tone, acoustic, faint, gentle
Black Sea Cipher
Spy surf instrumentals at 108 BPM with a strong singable lead melody, twangy tremolo guitar front and center, lush minor jazz chords, organ answering each guitar phrase, and a descending chromatic bassline over brushed drums. Verse rides sparse with guitar and bass; break adds organ swells; final pass brings fuller drums, tape echo, deep reverb, warm dusty tape., strong, deep, bassline, warm, jazz
Cove Ghost
Spy surf instrumentals at 108 BPM with twangy tremolo guitar, vintage organ swells, brushed drums, and deep reverb; verse rides a slippery guitar riff, the middle section pulls back to organ and brushes, then the lead returns with sharper stabs and a sly chromatic turn. Add tape hiss, reverse cymbal sweeps, and tiny tremolo dips between phrases. Mix is dusty, wide, and cinematic with a secret-agent sheen., deep
Smoke and Brass
Soul-funk with a slow 92 BPM sway, swung pocket and thick backbeat; verse rides baritone sax over fat electric bass and minor-key Rhodes stabs, pre-chorus opens with wah guitar answering the horn line, chorus locks into a bold horn melody with stacked brass hits. Tape hiss, room slap, and short brass fall transitions; warm dusty analog mix with punchy low end and close-mic grit., strong, warm, funk, soul, slow, electric
Midnight Groove
Slow heavy soul-funk instrumental at 92 BPM in a minor key. Open with a bold, singable baritone sax melody over thick, slightly behind-the-beat drums and a fat fingerstyle electric bass groove. Build the arrangement with punchy horn-section responses, muted brass stabs, and wah-wah guitar answering each sax phrase. Use gritty Hammond organ pads, sparse clavinet accents, and occasional drum fills to lift transitions. Keep the harmony dark and soulful with minor seventh and dominant tension. Mix it warm and dusty through saturated tape: rounded transients, audible low-mid body, restrained high end, subtle vinyl wear, roomy but controlled plate ambience, and a tight mono-centered rhythm section. Develop from a sparse opening riff into a forceful horn-led middle section, then strip back for a final sax statement.
Wave Rider Anthem
Surf rock instrumental at 120 BPM with a big heroic melody, reverb-drenched lead guitar, triumphant major chords, driving bass and tom-heavy drums; organ swells under the guitar on each lift, with short drum fills into the peak and a final soaring tag. Warm dusty tape, bright and punchy, wide and analog-soaked., rock, warm
Blue Dust Melodica
Dub instrumental at 76 BPM with an aching singable melodica lead over minor chords, warm organ swells, deep loose bass, and lazy brushed drums. Verse-like sections stay skeletal; middle passage opens with spring reverb blooms and tape-delay replies after each phrase; final section widens with organ drones and echo tails. Warm dusty tape, intimate and hazy., dub, deep, warm
Slow Tide Lounge
Dub lounge with loose deep bass, off-beat organ chops, spring reverb tails, lazy drums, and a hypnotic 76 BPM sway; verse keeps it sparse with bass, rim clicks, and organ stabs, then the groove opens with tape-delay echoes and wider drum ghosts. Middle section drops to near-silence with sub pulses and reverb bloom before the main groove returns heavier. Airy close-mic ambience, warm bottom end, dusty and wide., hypnotic, dub, lounge, deep
Velvet Ash Groove
Dub lounge at 76 BPM with deep loose bass, off-beat organ chops, lazy drums, spring reverb washes, tape delay throws, dusty tape hiss, and a cheap room-mic feel. Verse keeps bass and rim clicks low; lift with filtered organ swells; drop into a roomy half-time chorus pulse. Reversed tails and echo repeats bloom between phrases. Warm, murky, intimate mix., dub, lounge, deep
Sera a Venezia II
Italian lounge orchestra with a soft bossa groove at 94 BPM; verse-like opening rides upright bass, brushed percussion, and vibraphone lead, then the arrangement blooms with strings, harpsichord flourishes, and lush jazz chords in a graceful chorus swell. Delicate top-line doubles, airy room reverb, and occasional tape-wobble swells frame the melody. Warm dusty tape, intimate and elegant, with a velvety late-night sheen., harpsichord, warm, soft, jazz, lounge
Vacant Desk Glow
Lounge muzak, 62 BPM, slow swaying pulse with lone electric organ and vibraphone carrying long sustained chords; verse-like opening stays bare with tape hiss and soft room tone, middle section adds brushed ghost percussion and a faint sub swell, final pass drifts back to organ and vibraphone in wider harmony. Mono ceiling-speaker feel, dusty, intimate, and drained., slow, electric, sad, theme, lounge
Vacant Desk Glow II
Lounge muzak, 62 BPM, slow swaying pulse with lone electric organ and vibraphone carrying long sustained chords; verse-like opening stays bare with tape hiss and soft room tone, middle section adds brushed ghost percussion and a faint sub swell, final pass drifts back to organ and vibraphone in wider harmony. Mono ceiling-speaker feel, dusty, intimate, and drained., slow, electric, sad, theme, lounge
Dados Na Mão
Brazilian funk montage instrumental at 128 BPM in a minor key, built on heavy controlled batidão kicks, distorted sub-bass, syncopated baile percussion, and a sharp minimal game-synth motif. Looping eight-bar form with clear gaps for SFX; verses equivalent keep drums and bass tight, then every eighth bar hits a brief silence, bass fake-out, or filtered switch before slamming back. Glitch stabs, tiny vocal textures, bright punchy mix., synthetic, fake, vocal, minimal, anime, playful, clean, baile funk, glitch, rhythmic, funk
Dados Na Mão II
Brazilian funk montage instrumental at 128 BPM in a minor key, built on heavy controlled batidão kicks, distorted sub-bass, syncopated baile percussion, and a sharp minimal game-synth motif. Looping eight-bar form with clear gaps for SFX; verses equivalent keep drums and bass tight, then every eighth bar hits a brief silence, bass fake-out, or filtered switch before slamming back. Glitch stabs, tiny vocal textures, bright punchy mix., synthetic, fake, vocal, minimal, anime, playful, clean, baile funk, glitch, rhythmic, funk
Patch Cable Drift
Krautrock-inspired motorik instrumental at 100 BPM with steady kick pulse, gently evolving modular-synth arpeggios, and warm analog pads; verse-like sections subtly shift filter patterns and note order, a pre-drop moment adds octave shimmer, then the main section settles back into the pulse. Sparse modular bleeps, tape echo tails, and soft sidechain breathing between phrases. Clean, rounded, hypnotic mix with forward motion and a polished analog glow., warm, hypnotic, steady
Rain on Grid Paper II
Lo-fi chillhop, relaxed boom-bap around 75 BPM with swung dusty drums, soft Rhodes chords, gentle jazzy bassline, and a steady head-nod pulse; verse-like sections subtly swap in brushed fills and filtered piano tones, a spare middle break lets the vinyl crackle breathe, then the groove returns with warmer chord voicings and mellow drum ghosts. Close, intimate mix with tape haze, soft transients, and subtle sidechain movement, plus reversed swells and tiny record pops between phrases., lo-fi, bassline, gentle, jazzy, soft, warm, mellow
Rain on Grid Paper
Lo-fi chillhop, relaxed boom-bap around 75 BPM with swung dusty drums, soft Rhodes chords, gentle jazzy bassline, and a steady head-nod pulse; verse-like sections subtly swap in brushed fills and filtered piano tones, a spare middle break lets the vinyl crackle breathe, then the groove returns with warmer chord voicings and mellow drum ghosts. Close, intimate mix with tape haze, soft transients, and subtle sidechain movement, plus reversed swells and tiny record pops between phrases., lo-fi, bassline, gentle, jazzy, soft, warm, mellow