MiniMax H3

Candid vertical phone video, 9:16. A young white British man, clearly an adult in his mid-twenties (around 24), stands waist-up facing the camera in a small sunlit independent record shop. Short dark-brown curly hair, clean-shaven, warm expressive brown eyes, natural skin texture. He wears a moss-green overshirt over a plain cream T-shirt. Soft natural daylight from a window off-camera left. Background: warm wooden shelves softly blurred, golden-hour shop tone — the look of a real candid phone shot. [Static shot] He holds three 12-inch vinyl record sleeves: in his left arm, two sleeves lightly fanned — one cobalt blue, one cream — resting against his lower chest. In his right hand, one vivid orange sleeve with a single bold abstract blue geometric shape; no text, no lettering, no recognisable album artwork on any sleeve. All sleeves remain flat, solid and distinct; his fingers grip them naturally. He starts with a small pleased smile and makes friendly, relaxed eye contact — the energy of sharing a good find with a friend. Then, smoothly and naturally, he brings the orange sleeve forward toward the camera with his right hand into the lower foreground, as if offering the viewer first pick. The sleeve grows naturally in perspective as it approaches. He stops it just below his chin so his full face stays visible throughout. He gives a brief playful eyebrow raise and a warm grin, then holds that moment. Throughout, there is a gentle, subtle phone-camera sway — the natural micro-movement of a handheld phone. No cuts, no dramatic camera moves, no slow motion, no beauty filter. No other people in the foreground. No text overlays, captions, logos or watermarks. Sound: soft cardboard sleeve rustle as the orange record slides forward, quiet shop room tone — ambient hum of a small record shop. No speech, no music, no background conversation.