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Dados Na Mão II
Brazilian funk montage instrumental at 128 BPM in a minor key, built on heavy controlled batidão kicks, distorted sub-bass, syncopated baile percussion, and a sharp minimal game-synth motif. Looping eight-bar form with clear gaps for SFX; verses equivalent keep drums and bass tight, then every eighth bar hits a brief silence, bass fake-out, or filtered switch before slamming back. Glitch stabs, tiny vocal textures, bright punchy mix., synthetic, fake, vocal, minimal, anime, playful, clean, baile funk, glitch, rhythmic, funk
Hands Off Baby II
Brazilian funk with phonk saturation, 134 BPM, F minor, syncopated batidão drums and elastic distorted bass; hook-first structure with verse hit, half-beat dropouts, then crushing bass returns. Close-mic female MC vocal, playful and provocative, with whispered threats, rhythmic chants, chopped repeats, and ad-lib doubles. Minimal seductive synth hook, stop-start tension, sweaty midnight club atmosphere, dark and dangerous mix with thick low-end and sharp top-end bite., vocal, seductive, strong, emotional, rhythmic, edm, minimal, romantic, funk, sensual, playful, pop
Arcade Batidão Loop II
Brazilian funk montagem with a hypnotic 108 BPM half-slow pulse, minor-key batidão groove, huge distorted low end, clipped kicks and long bass tails. Minimal loop-based arrangement: verse texture stays sparse with drums and sub; a midsection adds the glassy video-game synth; final section drops in pitch-lowered chopped vocal fragments and sudden silence gaps before crushing returns. Dreamy, dangerous, and neon-bright, with a wide, warped, slightly dusty mix., funk, synthetic, trance, simple, hypnotic, anime, low, deep, vocal, emotional, minimal, pop
Bate Bate
Brazilian automotivo funk, 130 BPM, C-sharp minor, male vocals; immediate hook-driven chant with brutally dry clipped kick, huge sub pressure, sparse metallic percussion, and a sharp repeating stab; verse and chorus collapse into one addictive command phrase; rhythmic shouted doubles, gang ad-libs on the hook, gritty close-mic lead, dirty overloaded physical mix with vinyl-crushed edges, hard rises into each repeat, final chant slams wider and louder, raw, vocal, edm, electronic, funk, emotional
Mascot Final Form II
Brazilian phonk and funk montagem with 142 BPM minor-key batidão, instant three-note synth hook, clipped kicks, distorted sub drops, candy digital melodies, high-pitched vocal chops, fake game-over blips, one-beat silences, pitch dives, and abrupt restart stutters; short viral structure with fast cut arrangement, robotic giggle doubles, whispered-to-shouted lead flips, hyper-catchy and punchy mix, pop, fake, anime, vocal, funk
Combo do Arcade
Brazilian funk montage with aggressive syncopated batidão at 136 BPM in a minor key, fused with strange retro arcade electronics and modern heavy low end; verse rides drums, sub-bass, and a bright mono FM lead, pre-drop strips to menu beeps and bit-crushed stabs, chorus slams with chant-like synth motif and one-beat dropouts, bridge glitches into rapid chops and hard restarts. Crisp, colorful, mechanical, punchy mix., funk, nostalgic, simple, theme, chiptune, monophonic, vocal, rhythmic, rapid, playful, bright

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623 tracks · free · Track licenses

Crown Fit Fine
Melodic hip-hop with male vocals, mid-tempo swagger and emotional lift; crisp trap hi-hats, deep 808 bass, glossy piano, and airy atmospheric pads. Verse rides tight rap pockets with sparse drums and ad-lib throws; pre-chorus opens with filtered chords and rising tension; chorus lands on a sticky sung hook with doubled leads and gang echoes. Delay flicks, reverse swells, and a bright, punchy radio-ready mix., hip-hop, emotional, deep, rap
My Own Name
Melodic hip-hop with male vocals, mid-tempo swagger and emotional lift; crisp trap hi-hats, deep 808 bass, glossy piano, and airy atmospheric pads. Verse rides tight rap pockets with sparse drums and ad-lib throws; pre-chorus opens with filtered chords and rising tension; chorus lands on a sticky sung hook with doubled leads and gang echoes. Delay flicks, reverse swells, and a bright, punchy radio-ready mix., hip-hop, emotional, deep, rap
Higher Than The Sun
arena pop anthem, festival pop, anthemic, four-on-the-floor, bright synth stabs, soaring male lead, huge sing-along chorus, whoa-oh chants, radio-polished, key change final chorus, uplifting, stadium energy
Burning Like The Sun
arena pop anthem, festival pop, anthemic, four-on-the-floor, bright synth stabs, soaring male lead, huge sing-along chorus, whoa-oh chants, radio-polished, key change final chorus, uplifting, stadium energy
Skyline Hands
Arena pop anthem with four-on-the-floor drums, bright synth stabs, and male vocals driving a huge sing-along lift; verse starts lean and forward, pre-chorus opens into stacked harmonies, chorus explodes with whoa-oh backing chants and claps, bridge drops to voice and pulse before a final chorus key change. Radio-polished, stadium-wide, shimmering and triumphant with punchy transitions, rising risers, and crowd-sized mix depth., bright, pop, uplifting, vocal, soaring
We Own This Crowd
Arena pop anthem with four-on-the-floor drums, bright synth stabs, and male vocals driving a huge sing-along lift; verse starts lean and forward, pre-chorus opens into stacked harmonies, chorus explodes with whoa-oh backing chants and claps, bridge drops to voice and pulse before a final chorus key change. Radio-polished, stadium-wide, shimmering and triumphant with punchy transitions, rising risers, and crowd-sized mix depth., bright, pop, uplifting, vocal, soaring
Pale Window Reprise
Solo piano instrumental, slow 3/4 lullaby feel with gentle rolled chords, sparse right-hand melody, soft pedal blur, and delicate left-hand bass notes; verse-like opening stays minimal, middle adds a higher countermelody and wider voicings, final phrase settles back to a single fragile theme. Intimate close-mic tone with warm room resonance, subtle felt-piano texture, and a tender, hushed mix.
Pale Window
Solo piano instrumental, slow 3/4 lullaby feel with gentle rolled chords, sparse right-hand melody, soft pedal blur, and delicate left-hand bass notes; verse-like opening stays minimal, middle adds a higher countermelody and wider voicings, final phrase settles back to a single fragile theme. Intimate close-mic tone with warm room resonance, subtle felt-piano texture, and a tender, hushed mix.
Hands Up Tonight
Arena pop anthem, midtempo-to-fast four-on-the-floor with punchy drums, bright synth stabs and big festival groove; verse stays tight and propulsive, pre-chorus opens with rising harmony stacks, chorus hits wide with gang whoa-oh chants and stacked doubles, bridge drops to half-time before a key-change final chorus. Soaring male lead, polished stadium mix, glossy and euphoric., vocal, bright, pop, dramatic, soaring, uplifting
We Won't Come Down
Arena pop anthem, midtempo-to-fast four-on-the-floor with punchy drums, bright synth stabs and big festival groove; verse stays tight and propulsive, pre-chorus opens with rising harmony stacks, chorus hits wide with gang whoa-oh chants and stacked doubles, bridge drops to half-time before a key-change final chorus. Soaring male lead, polished stadium mix, glossy and euphoric., vocal, bright, pop, dramatic, soaring, uplifting
Paper Lantern (Dusk)
Solo piano ballad with a gentle 68 BPM pulse, simple arpeggiated left hand and a fragile right-hand melody that circles back in small variations; verse-like opening stays sparse and intimate, middle phrase lifts with a higher register and longer sustain, final phrase returns to the opening figure with a soft cadence. Felt-piano tone, pedal bloom, tiny key noise, and a faint room tail; warm, close-mic, and quietly cinematic.
Paper Lantern
Solo piano ballad with a gentle 68 BPM pulse, simple arpeggiated left hand and a fragile right-hand melody that circles back in small variations; verse-like opening stays sparse and intimate, middle phrase lifts with a higher register and longer sustain, final phrase returns to the opening figure with a soft cadence. Felt-piano tone, pedal bloom, tiny key noise, and a faint room tail; warm, close-mic, and quietly cinematic.
Hands Up Higher
Arena pop with male vocals, four-on-the-floor punch and bright synth stabs; verse rides tight kick, palm-clap snaps, and clipped hook fragments; pre-chorus strips to snare lift and rising pads; chorus hits with stacked harmonies, whoa-oh gang chants, and wide clap reverb. Key change lifts final chorus. Big risers, reverse crashes, glossy punchy mix., soaring, pop, vocal, bright, uplifting
We Came To Fly
Arena pop with male vocals, four-on-the-floor punch and bright synth stabs; verse rides tight kick, palm-clap snaps, and clipped hook fragments; pre-chorus strips to snare lift and rising pads; chorus hits with stacked harmonies, whoa-oh gang chants, and wide clap reverb. Key change lifts final chorus. Big risers, reverse crashes, glossy punchy mix., soaring, pop, vocal, bright, uplifting
Say My Name Right
Melodic hip-hop with swaggering mid-tempo bounce, crisp trap hats, chesty 808 hits, glossy piano motifs, and atmospheric pad lifts; verse rides cool and nimble, pre-chorus opens wider with stacked harmonies and filtered drums, chorus lands on a sticky sung hook with doubled lead and ad-lib shadows. Ear candy: reverse swells, riser snaps, and delay throws on last words. Bright, polished, radio-ready mix., deep, hip-hop, rap, emotional
Gold Tooth Grin
Melodic hip-hop with swaggering mid-tempo bounce, crisp trap hats, chesty 808 hits, glossy piano motifs, and atmospheric pad lifts; verse rides cool and nimble, pre-chorus opens wider with stacked harmonies and filtered drums, chorus lands on a sticky sung hook with doubled lead and ad-lib shadows. Ear candy: reverse swells, riser snaps, and delay throws on last words. Bright, polished, radio-ready mix., deep, hip-hop, rap, emotional
Velvet On My Skin
Contemporary R&B slow jam at 65 bpm with finger snaps, warm Rhodes chords, soft sub-bass, and a laid-back pocket. Verse stays intimate and sparse; pre-chorus lifts with stacked falsetto and breathy ad-libs; chorus blooms with lush harmonies and a sticky repeatable hook. Bridge drops to near-whisper before the final lift. Silky close-mic male vocal, glossy and warm mix., electric, warm, vocal, soul, sensual, r&b, smooth, contemporary, soft, slow, seductive, romantic
Stay On Me
Contemporary R&B slow jam at 65 bpm with finger snaps, warm Rhodes chords, soft sub-bass, and a laid-back pocket. Verse stays intimate and sparse; pre-chorus lifts with stacked falsetto and breathy ad-libs; chorus blooms with lush harmonies and a sticky repeatable hook. Bridge drops to near-whisper before the final lift. Silky close-mic male vocal, glossy and warm mix., electric, warm, vocal, soul, sensual, r&b, smooth, contemporary, soft, slow, seductive, romantic
Chrome Midnight Drive
Synth-pop with pulsing analog bass, gated reverb drums, shimmering arpeggiated leads, lush pads, emotive male falsetto, nostalgic moody verses, soaring anthem chorus, tape saturation, and a wide stereo midnight-drive mix, moody, nostalgic, soaring, pop
Chrome After Midnight
Synth-pop with pulsing analog bass, gated reverb drums, shimmering arpeggiated leads, lush pads, emotive male falsetto, nostalgic moody verses, soaring anthem chorus, tape saturation, and a wide stereo midnight-drive mix, moody, nostalgic, soaring, pop
Break the Guard
Pop rock with alternative rock and indie pop lift at 120 bpm, stomping clap-back groove and gritty male vocals over distorted electric guitars; verse rides tight live-band chugs and restrained drums, pre-chorus opens with tom climbs and gang shouts, chorus explodes into wide singalong chords and pounding claps, bridge pulls to half-time with stacked harmonies before the final lift. Add handclap breaks, reverse cymbal swells, and crowd-style echoes; bright, punchy, arena-sized mix., vocal, alternative rock, pop rock, electric, indie rock, uplifting, indie pop, southern rock, rock, soaring
Broken Crown Run
Pop rock with alternative rock and indie pop lift at 120 bpm, stomping clap-back groove and gritty male vocals over distorted electric guitars; verse rides tight live-band chugs and restrained drums, pre-chorus opens with tom climbs and gang shouts, chorus explodes into wide singalong chords and pounding claps, bridge pulls to half-time with stacked harmonies before the final lift. Add handclap breaks, reverse cymbal swells, and crowd-style echoes; bright, punchy, arena-sized mix., vocal, alternative rock, pop rock, electric, indie rock, uplifting, indie pop, southern rock, rock, soaring
Windows Down Summer
Modern country-pop crossover at 96 BPM with warm heartfelt male vocals and a subtle Southern twang; strummed acoustic drives verses, slide guitar answers lines, foot-stomp percussion and backbeat claps lift the pre-chorus, chorus opens wide with mandolin shimmer, soft Hammond pad, and gang-vocal whoa-ohs. Light ad-libs, end-of-line harmony swells, sunlit analog mix., heartfelt, pop, vocal, warm, acoustic, soft, nostalgic, country
Dust on the Dash
Modern country-pop crossover at 96 BPM with warm heartfelt male vocals and a subtle Southern twang; strummed acoustic drives verses, slide guitar answers lines, foot-stomp percussion and backbeat claps lift the pre-chorus, chorus opens wide with mandolin shimmer, soft Hammond pad, and gang-vocal whoa-ohs. Light ad-libs, end-of-line harmony swells, sunlit analog mix., heartfelt, pop, vocal, warm, acoustic, soft, nostalgic, country
Palm Sugar Nights
Afrobeats-pop with a breezy mid-tempo swing, log-drum pulse, bouncy percussion, and mellow guitar licks; verse rides sparse drums, bass, and clipped guitar, pre-chorus lifts with filtered handclaps and rising vocal stacks, chorus opens wide with chanty gang doubles and a sing-back hook. Smooth male vocal, close-mic verses, airy harmonies, palm-tree bright mix with glossy top end and warm low-end thump., smooth, vocal, afrobeats, mellow, warm, feel-good, tropical, pop
Mango Pier Sway
Afrobeats-pop with a breezy mid-tempo swing, log-drum pulse, bouncy percussion, and mellow guitar licks; verse rides sparse drums, bass, and clipped guitar, pre-chorus lifts with filtered handclaps and rising vocal stacks, chorus opens wide with chanty gang doubles and a sing-back hook. Smooth male vocal, close-mic verses, airy harmonies, palm-tree bright mix with glossy top end and warm low-end thump., smooth, vocal, afrobeats, mellow, warm, feel-good, tropical, pop
Paper Cup Letters
Acoustic folk-pop with a 78 BPM fingerpicked groove and soft body taps; verse stays intimate with close male vocal, subtle upright bass, and sparse guitar, pre-chorus opens with breathy doubles and rising strings, chorus lands with soft handclaps and warm stacked harmonies, bridge strips back to guitar and room tone before a final lift. Light room reverb, organic and unprocessed, candlelit and honest., singer-songwriter, warm, vocal, gentle, light, heartfelt, folk-pop, soft, acoustic, emotional
Blue Ink Morning
Acoustic folk-pop with a 78 BPM fingerpicked groove and soft body taps; verse stays intimate with close male vocal, subtle upright bass, and sparse guitar, pre-chorus opens with breathy doubles and rising strings, chorus lands with soft handclaps and warm stacked harmonies, bridge strips back to guitar and room tone before a final lift. Light room reverb, organic and unprocessed, candlelit and honest., singer-songwriter, warm, vocal, gentle, light, heartfelt, folk-pop, soft, acoustic, emotional
Burn The Ceiling
Euphoric future-house dance-pop at a driving 128 BPM with four-on-the-floor momentum, plucky detuned leads, rubbery low-end bounce, and a peak-time festival lift. Verse is tight and airy, pre-chorus strips to pulse and vocal build, chorus opens wide with stacked doubles and falsetto lifts, bridge drops to a half-time hush before the final surge. Bright male lead with glossy doubles, falsetto ad-libs, crowd-style hook chants, white-noise swells, reverse hits, and a crisp stadium-bright mix., bright, bassline, vocal, noise, pop, edm
Glass Ceiling
Euphoric future-house dance-pop at a driving 128 BPM with four-on-the-floor momentum, plucky detuned leads, rubbery low-end bounce, and a peak-time festival lift. Verse is tight and airy, pre-chorus strips to pulse and vocal build, chorus opens wide with stacked doubles and falsetto lifts, bridge drops to a half-time hush before the final surge. Bright male lead with glossy doubles, falsetto ad-libs, crowd-style hook chants, white-noise swells, reverse hits, and a crisp stadium-bright mix., bright, bassline, vocal, noise, pop, edm