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Dados Na Mão II
Brazilian funk montage instrumental at 128 BPM in a minor key, built on heavy controlled batidão kicks, distorted sub-bass, syncopated baile percussion, and a sharp minimal game-synth motif. Looping eight-bar form with clear gaps for SFX; verses equivalent keep drums and bass tight, then every eighth bar hits a brief silence, bass fake-out, or filtered switch before slamming back. Glitch stabs, tiny vocal textures, bright punchy mix., synthetic, fake, vocal, minimal, anime, playful, clean, baile funk, glitch, rhythmic, funk
Hands Off Baby II
Brazilian funk with phonk saturation, 134 BPM, F minor, syncopated batidão drums and elastic distorted bass; hook-first structure with verse hit, half-beat dropouts, then crushing bass returns. Close-mic female MC vocal, playful and provocative, with whispered threats, rhythmic chants, chopped repeats, and ad-lib doubles. Minimal seductive synth hook, stop-start tension, sweaty midnight club atmosphere, dark and dangerous mix with thick low-end and sharp top-end bite., vocal, seductive, strong, emotional, rhythmic, edm, minimal, romantic, funk, sensual, playful, pop
Arcade Batidão Loop II
Brazilian funk montagem with a hypnotic 108 BPM half-slow pulse, minor-key batidão groove, huge distorted low end, clipped kicks and long bass tails. Minimal loop-based arrangement: verse texture stays sparse with drums and sub; a midsection adds the glassy video-game synth; final section drops in pitch-lowered chopped vocal fragments and sudden silence gaps before crushing returns. Dreamy, dangerous, and neon-bright, with a wide, warped, slightly dusty mix., funk, synthetic, trance, simple, hypnotic, anime, low, deep, vocal, emotional, minimal, pop
Bate Bate
Brazilian automotivo funk, 130 BPM, C-sharp minor, male vocals; immediate hook-driven chant with brutally dry clipped kick, huge sub pressure, sparse metallic percussion, and a sharp repeating stab; verse and chorus collapse into one addictive command phrase; rhythmic shouted doubles, gang ad-libs on the hook, gritty close-mic lead, dirty overloaded physical mix with vinyl-crushed edges, hard rises into each repeat, final chant slams wider and louder, raw, vocal, edm, electronic, funk, emotional
Mascot Final Form II
Brazilian phonk and funk montagem with 142 BPM minor-key batidão, instant three-note synth hook, clipped kicks, distorted sub drops, candy digital melodies, high-pitched vocal chops, fake game-over blips, one-beat silences, pitch dives, and abrupt restart stutters; short viral structure with fast cut arrangement, robotic giggle doubles, whispered-to-shouted lead flips, hyper-catchy and punchy mix, pop, fake, anime, vocal, funk
Combo do Arcade
Brazilian funk montage with aggressive syncopated batidão at 136 BPM in a minor key, fused with strange retro arcade electronics and modern heavy low end; verse rides drums, sub-bass, and a bright mono FM lead, pre-drop strips to menu beeps and bit-crushed stabs, chorus slams with chant-like synth motif and one-beat dropouts, bridge glitches into rapid chops and hard restarts. Crisp, colorful, mechanical, punchy mix., funk, nostalgic, simple, theme, chiptune, monophonic, vocal, rhythmic, rapid, playful, bright

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623 tracks · free · Track licenses

Brushed Hours
Lo-fi study beat with a soft 78 BPM swing, brushed drum loop, mellow Rhodes chords, dusty vinyl crackle, and a warm sub pulse; verse sections stay sparse with ticking hats and filtered piano, middle adds a sleepy sax phrase and reversed chord swells, final section opens with extra reverb and tape-wobble transitions; close, intimate mix with rounded highs and a soft blurred low end., lo-fi
Sleepy Sax Drift
Lo-fi study beat with a soft 78 BPM swing, brushed drum loop, mellow Rhodes chords, dusty vinyl crackle, and a warm sub pulse; verse sections stay sparse with ticking hats and filtered piano, middle adds a sleepy sax phrase and reversed chord swells, final section opens with extra reverb and tape-wobble transitions; close, intimate mix with rounded highs and a soft blurred low end., lo-fi
Tape Wobble Study
Lo-fi hip-hop study beat with swung dusty drums, rounded sub bass, and a soft Rhodes loop; verse-like loop stays sparse with vinyl crackle and filtered piano, then a gentle B section adds brushed percussion, tape wobble, and airy chord swells before settling back into the main groove. Close, warm, intimate mix with sidechain pump, subtle hiss, and tiny bell chimes between phrases., lo-fi
Rhodes Flow
Lo-fi hip-hop study beat with swung dusty drums, rounded sub bass, and a soft Rhodes loop; verse-like loop stays sparse with vinyl crackle and filtered piano, then a gentle B section adds brushed percussion, tape wobble, and airy chord swells before settling back into the main groove. Close, warm, intimate mix with sidechain pump, subtle hiss, and tiny bell chimes between phrases., lo-fi
Ache in the Dark
Indie pop ballad with a slow pulse, fingerpicked guitar over soft sub bass and restrained kick; verse stays intimate and bare, pre-chorus lifts with stacked harmonies and a rising synth bed, chorus opens wider with a doubling lead and sighing gang ad-libs. Use reversed swells into section changes, tiny click percussion, and a final lift with shimmering pads. Mix is close-mic, glossy, and ache-filled.
2AM Freeway
Indie pop ballad with a slow pulse, fingerpicked guitar over soft sub bass and restrained kick; verse stays intimate and bare, pre-chorus lifts with stacked harmonies and a rising synth bed, chorus opens wider with a doubling lead and sighing gang ad-libs. Use reversed swells into section changes, tiny click percussion, and a final lift with shimmering pads. Mix is close-mic, glossy, and ache-filled.
Tender Confession
R&B ballad with a slow swaying 74 BPM feel, brushed drums and warm Rhodes carrying the verses; pre-chorus strips to bass, finger snaps, and rising harmony stacks; chorus opens wide with strings, sub swell, and doubled lead vocal on the hook. Close-mic intimate verses, breathy ad-libs, soft octave doubles, and delayed backing replies on key phrases. Ear candy: reversed piano swells into each chorus, tiny clock-tick percussion, and a shimmer tail on the last word. Mix is warm, glossy, and close to the skin., soul, r&b, ballad, emotional
Gravity Pull
R&B ballad with a slow swaying 74 BPM feel, brushed drums and warm Rhodes carrying the verses; pre-chorus strips to bass, finger snaps, and rising harmony stacks; chorus opens wide with strings, sub swell, and doubled lead vocal on the hook. Close-mic intimate verses, breathy ad-libs, soft octave doubles, and delayed backing replies on key phrases. Ear candy: reversed piano swells into each chorus, tiny clock-tick percussion, and a shimmer tail on the last word. Mix is warm, glossy, and close to the skin., soul, r&b, ballad, emotional
Desk Lamp Drift
lo-fi hip hop, chillhop, vinyl crackle, mellow
Vinyl Warmth
lo-fi hip hop, chillhop, vinyl crackle, mellow
Redline Reaper
Phonk trap with a grimy mid-tempo bounce, rolling cowbell motifs, saturated sub hits, and hard snare snaps; verse rides sparse and menacing with tight triplet pockets, pre-chorus tightens into whispered taunts and shouted stack-ups, chorus hits with gang vocals and a short chantable hook. Deep distorted lead vocal, ad-lib panning, reverse swell transitions, tire-screech FX, and a dark, punchy mix., deep
Midnight Chase
Phonk trap with a grimy mid-tempo bounce, rolling cowbell motifs, saturated sub hits, and hard snare snaps; verse rides sparse and menacing with tight triplet pockets, pre-chorus tightens into whispered taunts and shouted stack-ups, chorus hits with gang vocals and a short chantable hook. Deep distorted lead vocal, ad-lib panning, reverse swell transitions, tire-screech FX, and a dark, punchy mix., deep
Only One You Love
downtempo, nu jazz, trip-hop
Trip Hope
downtempo, nu jazz, trip-hop
Midnight Fever
Synthetic Pop, Nu-Disco, Dreamy, Melodic, Fast, Beat, Synth, Glitchy, Lo-Fi, Electronic, Female Vocals
Neon Feeling
Dance-pop anthem at 124 BPM with tight four-on-the-floor kick, rubbery synth bass, and syncopated clap snaps; verse stays lean with plucky keys and cheeky one-line chants, pre-chorus lifts with filtered pads and rising toms, chorus bursts open with stacked gang vocals and a euphoric hook. Vocal is bright, close-mic, double-tracked on the hook, with playful ad-lib throws, reverse swells, and shimmering ear-candy fills. Mix is glossy, wide, and punchy., feel-good
Moment Rush
Dance-pop anthem at 124 BPM with tight four-on-the-floor kick, rubbery synth bass, and syncopated clap snaps; verse stays lean with plucky keys and cheeky one-line chants, pre-chorus lifts with filtered pads and rising toms, chorus bursts open with stacked gang vocals and a euphoric hook. Vocal is bright, close-mic, double-tracked on the hook, with playful ad-lib throws, reverse swells, and shimmering ear-candy fills. Mix is glossy, wide, and punchy., feel-good
Warehouse Haze
nu jazz, trip-hop, downtempo, 78 BPM, dusty Rhodes piano chords, jazz brush drums with loose shuffle, fingerpicked upright bass, vinyl crackle and surface noise, muted trumpet ghost notes, warm analog tape saturation, late-night warehouse haze, smoky lo-fi aesthetic, sparse arrangement, negative space, slow groove, cinematic melancholy
Late Night Jazz
nu jazz, trip-hop, downtempo, 78 BPM, dusty Rhodes piano chords, jazz brush drums with loose shuffle, fingerpicked upright bass, vinyl crackle and surface noise, muted trumpet ghost notes, warm analog tape saturation, late-night warehouse haze, smoky lo-fi aesthetic, sparse arrangement, negative space, slow groove, cinematic melancholy
Alive Tonight
Dance-pop with a driving four-on-the-floor kick, syncopated claps, bouncing bass, and bright synth stabs; verse stays tight and percussive, pre-chorus lifts with rising filters and stacked harmonies, chorus opens wide with gang vocals and a chantable hook. Lead vocal is close-mic and playful, with doubled hook lines, quick ad-lib throws, and tiny echo tails. Ear candy includes reverse swells into the drop, sparkly plucks between phrases, and a final chorus key-change lift. Mix is glossy, punchy, and club-ready., feel-good, empowering
Neon Pulse
Dance-pop with a driving four-on-the-floor kick, syncopated claps, bouncing bass, and bright synth stabs; verse stays tight and percussive, pre-chorus lifts with rising filters and stacked harmonies, chorus opens wide with gang vocals and a chantable hook. Lead vocal is close-mic and playful, with doubled hook lines, quick ad-lib throws, and tiny echo tails. Ear candy includes reverse swells into the drop, sparkly plucks between phrases, and a final chorus key-change lift. Mix is glossy, punchy, and club-ready., feel-good, empowering
Smoky Groove
nu jazz, trip-hop, downtempo, 78 BPM, dusty Rhodes piano with subtle tremolo, jazz brush snare rolls, fingerpicked upright bass, vinyl surface noise, muted mellow keys, sparse modal chord voicings, lazy syncopated groove, late-night haze, smoky warehouse ambience, warm tape saturation, soft room reverb, no vocals
Late-Night Warehouse Haze
nu jazz, trip-hop, downtempo, 78 BPM, dusty Rhodes piano with subtle tremolo, jazz brush snare rolls, fingerpicked upright bass, vinyl surface noise, muted mellow keys, sparse modal chord voicings, lazy syncopated groove, late-night haze, smoky warehouse ambience, warm tape saturation, soft room reverb, no vocals
Highway Haze
ambient house, 110 BPM, soft 4-on-floor kick, hazy layered pads, distant siren synths, driving sub bass line, slow-attack reverb wash, wide stereo shimmer, muted hi-hats, late-night highway atmosphere, hypnotic groove, introspective drift, no vocals, cinematic electronic
Late-Night Drive
ambient house, 110 BPM, soft 4-on-floor kick, hazy layered pads, distant siren synths, driving sub bass line, slow-attack reverb wash, wide stereo shimmer, muted hi-hats, late-night highway atmosphere, hypnotic groove, introspective drift, no vocals, cinematic electronic
Midnight California
modern pop R&B, 88 BPM, deep baritone male vocals, intimate close-mic delivery, smooth sub bass, analog synth pads, glassy electric keys, punchy hi-hats, wide reverby claps, finger snaps, late-night atmospheric, neon coastal California vibe, cinematic wide mix, polished radio sheen, stacked harmonies on chorus, airy vocal doubles, warm bass lift on chorus, Billboard chart-ready
Neon Coast
modern pop R&B, 88 BPM, deep baritone male vocals, intimate close-mic delivery, smooth sub bass, analog synth pads, glassy electric keys, punchy hi-hats, wide reverby claps, finger snaps, late-night atmospheric, neon coastal California vibe, cinematic wide mix, polished radio sheen, stacked harmonies on chorus, airy vocal doubles, warm bass lift on chorus, Billboard chart-ready
Boom Tonight
Synthetic Pop, Nu-Disco, 120 BPM, punchy 4-on-the-floor kick drum, glittery synth stabs, slap funk bass guitar, retro 80s groove, bright breathy female lead vocals, polished pop production, euphoric club energy, strobe-light atmosphere, hooky melodic chorus, sidechained pads, vintage Roland synth arpeggios, club-bright mix, danceable, euphoric, confident, contemporary Billboard pop sheen
Night Drive
Pop with a laid-back midtempo groove, brushed kick and soft clap on the backbeat, warm sub bass, clean muted guitar, and glassy synth plucks; verse stays intimate and sparse, pre-chorus opens with rising harmonies and filtered pads, chorus lifts with stacked vocal doubles and a simple chant hook, bridge drops to voice and keys before the final chorus blooms. Close-mic lead vocal with airy doubles, subtle delay throws on key phrases, reverse swells into transitions, bright polished mix with a soft late-night glow., pop
Mile 102
Pop with a laid-back midtempo groove, brushed kick and soft clap on the backbeat, warm sub bass, clean muted guitar, and glassy synth plucks; verse stays intimate and sparse, pre-chorus opens with rising harmonies and filtered pads, chorus lifts with stacked vocal doubles and a simple chant hook, bridge drops to voice and keys before the final chorus blooms. Close-mic lead vocal with airy doubles, subtle delay throws on key phrases, reverse swells into transitions, bright polished mix with a soft late-night glow., pop