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Dados Na Mão II

Brazilian funk montage instrumental at 128 BPM in a minor key, built on heavy controlled batidão kicks, distorted sub-bass, syncopated baile percussion, and a sharp minimal game-synth motif. Looping eight-bar form with clear gaps for SFX; verses equivalent keep drums and bass tight, then every eighth bar hits a brief silence, bass fake-out, or filtered switch before slamming back. Glitch stabs, tiny vocal textures, bright punchy mix., synthetic, fake, vocal, minimal, anime, playful, clean, baile funk, glitch, rhythmic, funk

Phonk1:22

Hands Off Baby II

Brazilian funk with phonk saturation, 134 BPM, F minor, syncopated batidão drums and elastic distorted bass; hook-first structure with verse hit, half-beat dropouts, then crushing bass returns. Close-mic female MC vocal, playful and provocative, with whispered threats, rhythmic chants, chopped repeats, and ad-lib doubles. Minimal seductive synth hook, stop-start tension, sweaty midnight club atmosphere, dark and dangerous mix with thick low-end and sharp top-end bite., vocal, seductive, strong, emotional, rhythmic, edm, minimal, romantic, funk, sensual, playful, pop

Phonk2:31

Arcade Batidão Loop II

Brazilian funk montagem with a hypnotic 108 BPM half-slow pulse, minor-key batidão groove, huge distorted low end, clipped kicks and long bass tails. Minimal loop-based arrangement: verse texture stays sparse with drums and sub; a midsection adds the glassy video-game synth; final section drops in pitch-lowered chopped vocal fragments and sudden silence gaps before crushing returns. Dreamy, dangerous, and neon-bright, with a wide, warped, slightly dusty mix., funk, synthetic, trance, simple, hypnotic, anime, low, deep, vocal, emotional, minimal, pop

Phonk2:45

Bate Bate

Brazilian automotivo funk, 130 BPM, C-sharp minor, male vocals; immediate hook-driven chant with brutally dry clipped kick, huge sub pressure, sparse metallic percussion, and a sharp repeating stab; verse and chorus collapse into one addictive command phrase; rhythmic shouted doubles, gang ad-libs on the hook, gritty close-mic lead, dirty overloaded physical mix with vinyl-crushed edges, hard rises into each repeat, final chant slams wider and louder, raw, vocal, edm, electronic, funk, emotional

Phonk1:37

Mascot Final Form II

Brazilian phonk and funk montagem with 142 BPM minor-key batidão, instant three-note synth hook, clipped kicks, distorted sub drops, candy digital melodies, high-pitched vocal chops, fake game-over blips, one-beat silences, pitch dives, and abrupt restart stutters; short viral structure with fast cut arrangement, robotic giggle doubles, whispered-to-shouted lead flips, hyper-catchy and punchy mix, pop, fake, anime, vocal, funk

Phonk2:39

Combo do Arcade

Brazilian funk montage with aggressive syncopated batidão at 136 BPM in a minor key, fused with strange retro arcade electronics and modern heavy low end; verse rides drums, sub-bass, and a bright mono FM lead, pre-drop strips to menu beeps and bit-crushed stabs, chorus slams with chant-like synth motif and one-beat dropouts, bridge glitches into rapid chops and hard restarts. Crisp, colorful, mechanical, punchy mix., funk, nostalgic, simple, theme, chiptune, monophonic, vocal, rhythmic, rapid, playful, bright

Phonk0:32

Savepoint Montagem

Phonk with Brazilian funk montage at 110 BPM, swung and half-time-leaning; verse-like intro circles the glassy corrupted save-point arpeggio, middle section strips to breathy fragments, reversed syllables and startup chimes, then the drop returns with saturated sub, batidão kicks and distorted digital grit. Wide stereo, deep reverb, crunchy compression, eerie but addictive., slow, breathy, hypnotic, vocal, harmony, beautiful, anime, funk, deep, soft, saturated, nostalgic, minimal

Phonk2:08

Bicho Pisa II

Brazilian funk montagem with 140 BPM batidão pulse, minor-key bounce, and a playful digital phonk edge; intro hits instantly with a tiny bright synth squeak answering pitch-shifted female vocals. Verse rides sparse kick, compressed bass, and breathing gaps; pre-chorus tightens with formant flips and mute cuts; chorus drops huge and childish with call-and-response repetition. Cute rude vocal doubles, ad-lib pings, hard four-bar drops, glossy-bright but dirty mix., bright, minimal, rhythmic, funk, playful, vocal, anime

Phonk1:19

Rua Vazia II

Brazilfunk with phonk texture, 128 BPM, E minor, half-time groove and restrained syncopated funk drums; verse rides a haunting two-note motif over deep distorted bass and cold nocturnal pads, pre-chorus opens the space with filtered percussion and a distant low male fragment, chorus lands on a short hypnotic foreign-sounding phrase with pitched doubles and long reverbs; use reverse swells, tape hiss transitions, and sub drops between phrases; wide, empty, cinematic mix with an intimate, detached vocal, hypnotic, vocal, deep, low, funk

Phonk2:32

Coroa de Gelo II

Brazilian phonk with a 130 BPM half-time dembow-batida feel; cold-open on a bright, sharp, formant-shifted high female phrase, then slam into distorted 808s, dry clipped batidão kicks, sparse metallic percussion, and a dark looping hook. Verse-like sections stay skeletal; drop sections repeat sliced vocal fragments and the final syllable as the main chant. High female vocal is doubled, pitch-shifted, and chopped into tiny repeats with tape-stop flicks, reverse swells, and sudden filter snaps. Aggressive, glossy, and claustrophobic mix with piercing top end and brutal low-end weight., vocal, anime, breathy, bright, low

Phonk2:02

Pisca e Vira II

Brazilian funk montação at 132 BPM in F minor with phonk distortion, brutal clipped kick, distorted sub-bass, sparse syncopated groove, and a piercing three-note digital lead. Cold-open with the hook on the first beat; the arrangement stays stop-start with sudden half-beat silences and instant bass returns. Confident female Brazilian Portuguese chant, chopped stutters, formant shifts, layered doubles on the hook. Raw, hypnotic, cocky, sharp mix., raw, hypnotic, funk, rhythmic, vocal, piercing

Phonk0:47

Sombra no Passo

Brazilian funk montage at 108 BPM with dark phonk saturation and minor-key bounce; immediate verse opens on a low intimate female vocal phrase and a glassy two-note digital synth hook. Groove stays heavy with huge overdriven bass, clipped batidão kicks, sudden silence before each drop, and chopped micro-fragments on the hook. Chorus keeps one hypnotic chant, detached and unreal, with wide empty space, short delay throws, and a bright-punchy yet nocturnal mix., ambient, vocal, seductive, hypnotic, funk, low, anime, emotional, simple, slow, stylish

Phonk1:37

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All Lo-Fi Phonk Ambient Cinematic Classical Jazz Acoustic Electronic Pop R&B Hip-Hop Rock

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112 tracks · free · CC0 1.0

Patch Cable Drift

Krautrock-inspired motorik instrumental at 100 BPM with steady kick pulse, gently evolving modular-synth arpeggios, and warm analog pads; verse-like sections subtly shift filter patterns and note order, a pre-drop moment adds octave shimmer, then the main section settles back into the pulse. Sparse modular bleeps, tape echo tails, and soft sidechain breathing between phrases. Clean, rounded, hypnotic mix with forward motion and a polished analog glow., warm, hypnotic, steady

Electronic2:49

Patch Cable Drift II

Electronic3:35

Soft Pulse Loop

dramatic, clean, warm, soft, electronic, hypnotic, steady

Electronic2:50

Soft Pulse Loop II

dramatic, clean, warm, soft, electronic, hypnotic, steady

Electronic3:05

Drift Circuit II

Motorik ambient techno at 100 BPM with steady kick pulse, gently evolving modular-synth arpeggios, warm analog pads, and soft sidechain breath; intro starts with bare pulse and filtered arp, middle adds wider chords and subtle harmonic shifts, final stretch opens the pad bed and lets the pattern loop on. Intimate-close yet spacious, smooth and hypnotic., warm, hypnotic, steady

Electronic3:16

Drift Circuit

Electronic3:56

Steady Orbit

Motorik krautrock instrumental at ~100 BPM, four-on-the-floor pulse and 16th-note modular arps; verse-like sections evolve by tiny filter moves and slow LFO drift while warm analog pads hold the center. Soft tape saturation, subtle room reverb, wide stereo field, clean modern analog mix, calm and immersive throughout., clean, warm, deep, hypnotic, steady, soft, slow

Electronic3:25

Paper Lantern Summer

Pop with upbeat four-on-the-floor kick, syncopated clap snaps, bright synth plucks, and buoyant bass running under each section; verse stays tight with dry close-mic vocals and playful ad-libs, pre-chorus lifts with filtered pads and a snare build, chorus opens wide with stacked harmonies and chanty gang doubles, bridge drops to half-time with a filtered vocal and airy risers before the final chorus. Crisp, glossy, and radio-bright with glittering ear candy between lines., vocal, pop

Pop2:58

Summer Lantern Nights

Pop2:25

Glass Petal Pulse

Dreamy electronic pop with a buoyant mid-tempo four-on-the-floor feel, plucky synth hook leading the melody, sidechained pads breathing under crisp percussion, and a spacious bridge that opens into a wider harmonic lift. Verse keeps it minimal with filtered keys; chorus blooms with layered arps and glittering top-line accents. Airy, polished, and expansive., pop, electronic

Electronic2:17

Petal Bloom

Electronic1:18

Lose Your Soul

pop-dance, dance-pop anthem, four-on-the-floor, bright sidechained synths, euphoric pluck lead, big catchy female vocal, sing-along chorus, 124 BPM, festival-ready, polished radio mix, uplifting

Electronic1:54

Let It Go (On The Dancefloor)

pop-dance, dance-pop anthem, four-on-the-floor, bright sidechained synths, euphoric pluck lead, big catchy female vocal, sing-along chorus, 124 BPM, festival-ready, polished radio mix, uplifting

Electronic7:59

Hands Up Forever

arena pop, anthemic, festival pop, stadium rock-pop, four-on-the-floor, bright synth stabs, soaring male vocal, sing-along chorus, radio-polished, key change final chorus, whoa-oh chants

Pop3:27

We Are The Fire

arena pop, anthemic, festival pop, stadium rock-pop, four-on-the-floor, bright synth stabs, soaring male vocal, sing-along chorus, radio-polished, key change final chorus, whoa-oh chants

Pop3:32

We Break Through

Arena pop anthem with driving four-on-the-floor kick, palm-muted guitar chugs, and bright synth lifts; verse stays tight and anticipatory, pre-chorus opens with stacked claps and rising harmonies, chorus hits huge with gang vocals and a wide whoa-oh-oh sing-along. Bridge strips to voice and pulse before a key change final chorus with extra tom rolls, choir doubles, and massive lift. Glossy, punchy, stadium-size mix., uplifting, pop

Pop3:22

Lights Will Find Us

Pop3:07

Higher Than The Sun

arena pop anthem, festival pop, anthemic, four-on-the-floor, bright synth stabs, soaring male lead, huge sing-along chorus, whoa-oh chants, radio-polished, key change final chorus, uplifting, stadium energy

Pop3:26

Burning Like The Sun

Pop3:39

Skyline Hands

Arena pop anthem with four-on-the-floor drums, bright synth stabs, and male vocals driving a huge sing-along lift; verse starts lean and forward, pre-chorus opens into stacked harmonies, chorus explodes with whoa-oh backing chants and claps, bridge drops to voice and pulse before a final chorus key change. Radio-polished, stadium-wide, shimmering and triumphant with punchy transitions, rising risers, and crowd-sized mix depth., bright, pop, uplifting, vocal, soaring

Pop4:07

We Own This Crowd

Pop4:04

Hands Up Tonight

Arena pop anthem, midtempo-to-fast four-on-the-floor with punchy drums, bright synth stabs and big festival groove; verse stays tight and propulsive, pre-chorus opens with rising harmony stacks, chorus hits wide with gang whoa-oh chants and stacked doubles, bridge drops to half-time before a key-change final chorus. Soaring male lead, polished stadium mix, glossy and euphoric., vocal, bright, pop, dramatic, soaring, uplifting

Pop3:22

We Won't Come Down

Pop3:58

Hands Up Higher

Arena pop with male vocals, four-on-the-floor punch and bright synth stabs; verse rides tight kick, palm-clap snaps, and clipped hook fragments; pre-chorus strips to snare lift and rising pads; chorus hits with stacked harmonies, whoa-oh gang chants, and wide clap reverb. Key change lifts final chorus. Big risers, reverse crashes, glossy punchy mix., soaring, pop, vocal, bright, uplifting

Pop3:10

We Came To Fly

Pop2:54

Chrome Midnight Drive

Synth-pop with pulsing analog bass, gated reverb drums, shimmering arpeggiated leads, lush pads, emotive male falsetto, nostalgic moody verses, soaring anthem chorus, tape saturation, and a wide stereo midnight-drive mix, moody, nostalgic, soaring, pop

Pop4:33

Chrome After Midnight

Pop4:24

Burn The Ceiling

Euphoric future-house dance-pop at a driving 128 BPM with four-on-the-floor momentum, plucky detuned leads, rubbery low-end bounce, and a peak-time festival lift. Verse is tight and airy, pre-chorus strips to pulse and vocal build, chorus opens wide with stacked doubles and falsetto lifts, bridge drops to a half-time hush before the final surge. Bright male lead with glossy doubles, falsetto ad-libs, crowd-style hook chants, white-noise swells, reverse hits, and a crisp stadium-bright mix., bright, bassline, vocal, noise, pop, edm

Electronic3:22

Glass Ceiling

Electronic3:08

Hold Me Through

Pop ballad with soulful male vocals, intimate grand piano intro, swelling strings, slow-building beat, and a belted final climax; verse stays close and vulnerable, pre-chorus opens the lift with rising harmony, chorus blooms into a massive cathartic singalong, bridge drops to piano and breath before the last orchestral surge; doubled leads on hooks, stacked harmonies, delay throws on key words, risers into each chorus, bright cinematic mix with intimate verses and huge widescreen payoff, slow, pop, raw, dynamic, uplifting, emotional, orchestral, soaring, soft, soulful, ballad, vocal

Pop4:22