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Dados Na Mão II
Brazilian funk montage instrumental at 128 BPM in a minor key, built on heavy controlled batidão kicks, distorted sub-bass, syncopated baile percussion, and a sharp minimal game-synth motif. Looping eight-bar form with clear gaps for SFX; verses equivalent keep drums and bass tight, then every eighth bar hits a brief silence, bass fake-out, or filtered switch before slamming back. Glitch stabs, tiny vocal textures, bright punchy mix., synthetic, fake, vocal, minimal, anime, playful, clean, baile funk, glitch, rhythmic, funk
Hands Off Baby II
Brazilian funk with phonk saturation, 134 BPM, F minor, syncopated batidão drums and elastic distorted bass; hook-first structure with verse hit, half-beat dropouts, then crushing bass returns. Close-mic female MC vocal, playful and provocative, with whispered threats, rhythmic chants, chopped repeats, and ad-lib doubles. Minimal seductive synth hook, stop-start tension, sweaty midnight club atmosphere, dark and dangerous mix with thick low-end and sharp top-end bite., vocal, seductive, strong, emotional, rhythmic, edm, minimal, romantic, funk, sensual, playful, pop
Arcade Batidão Loop II
Brazilian funk montagem with a hypnotic 108 BPM half-slow pulse, minor-key batidão groove, huge distorted low end, clipped kicks and long bass tails. Minimal loop-based arrangement: verse texture stays sparse with drums and sub; a midsection adds the glassy video-game synth; final section drops in pitch-lowered chopped vocal fragments and sudden silence gaps before crushing returns. Dreamy, dangerous, and neon-bright, with a wide, warped, slightly dusty mix., funk, synthetic, trance, simple, hypnotic, anime, low, deep, vocal, emotional, minimal, pop
Bate Bate
Brazilian automotivo funk, 130 BPM, C-sharp minor, male vocals; immediate hook-driven chant with brutally dry clipped kick, huge sub pressure, sparse metallic percussion, and a sharp repeating stab; verse and chorus collapse into one addictive command phrase; rhythmic shouted doubles, gang ad-libs on the hook, gritty close-mic lead, dirty overloaded physical mix with vinyl-crushed edges, hard rises into each repeat, final chant slams wider and louder, raw, vocal, edm, electronic, funk, emotional
Mascot Final Form II
Brazilian phonk and funk montagem with 142 BPM minor-key batidão, instant three-note synth hook, clipped kicks, distorted sub drops, candy digital melodies, high-pitched vocal chops, fake game-over blips, one-beat silences, pitch dives, and abrupt restart stutters; short viral structure with fast cut arrangement, robotic giggle doubles, whispered-to-shouted lead flips, hyper-catchy and punchy mix, pop, fake, anime, vocal, funk
Combo do Arcade
Brazilian funk montage with aggressive syncopated batidão at 136 BPM in a minor key, fused with strange retro arcade electronics and modern heavy low end; verse rides drums, sub-bass, and a bright mono FM lead, pre-drop strips to menu beeps and bit-crushed stabs, chorus slams with chant-like synth motif and one-beat dropouts, bridge glitches into rapid chops and hard restarts. Crisp, colorful, mechanical, punchy mix., funk, nostalgic, simple, theme, chiptune, monophonic, vocal, rhythmic, rapid, playful, bright

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64 tracks · free · CC0 1.0

Paper Sun
Ambient folk instrumental with unhurried fingerpicked acoustic guitar, soft glockenspiel accents, and airy pad swells; verse-like sections keep it sparse and intimate, then a gentle lift adds chiming upper tones and subtle brushed texture before settling back to a calm open ending. Breathable close-mic acoustic, delicate transients, warm wide mix, hopeful and softly luminous., acoustic, warm, light, gentle, soft
Paper Sun II
Ambient folk instrumental with unhurried fingerpicked acoustic guitar, soft glockenspiel accents, and airy pad swells; verse-like sections keep it sparse and intimate, then a gentle lift adds chiming upper tones and subtle brushed texture before settling back to a calm open ending. Breathable close-mic acoustic, delicate transients, warm wide mix, hopeful and softly luminous., acoustic, warm, light, gentle, soft
Quiet Little Drifts
Solo piano lullaby, slow and contemplative with a gentle rubato feel and simple repeating motif; verse-like opening keeps to soft single-note melody and wide left-hand space, middle phrase adds a tender broken-chord lift, final phrase resolves inward and fades. Light pedal bloom, occasional high-register bell tones, intimate close-mic room sound, warm and airy mix with delicate resonance.
Quiet Little Drifts II
Solo piano lullaby, slow and contemplative with a gentle rubato feel and simple repeating motif; verse-like opening keeps to soft single-note melody and wide left-hand space, middle phrase adds a tender broken-chord lift, final phrase resolves inward and fades. Light pedal bloom, occasional high-register bell tones, intimate close-mic room sound, warm and airy mix with delicate resonance.
Paper Lantern Rain
Ambient solo piano with slow, spacious arpeggios and softly pedaled chords; verse-like phrases open in near silence, then widen with gentle upper-register runs and a lower-left-hand pulse, before a return to sparse, breathy motifs. Subtle keybed noise, long natural room tail, and a faint reversed swell into the middle section. Intimate close-mic mix, warm and hushed, with a soft felt-on-strings character., ambient
Paper Lantern Rain II
Ambient solo piano with slow, spacious arpeggios and softly pedaled chords; verse-like phrases open in near silence, then widen with gentle upper-register runs and a lower-left-hand pulse, before a return to sparse, breathy motifs. Subtle keybed noise, long natural room tail, and a faint reversed swell into the middle section. Intimate close-mic mix, warm and hushed, with a soft felt-on-strings character., ambient
Felt Room Dawn
Neoclassical ambient at a slow, grounding tempo with soft felt piano leading a looping motif over sustained string pads and distant low drones; intro opens almost bare, verse-like sections add a second piano figure and subtle tremolo violas, then a gentle lift brings wider harmonies before thinning back to the motif. Breath-like room tone, soft pedal noise, reversed swells, and a faint bell shimmer between phrases. Close, warm, uncluttered mix., neoclassical, soft, slow, steady
Felt Room Dawn II
Neoclassical ambient at a slow, grounding tempo with soft felt piano leading a looping motif over sustained string pads and distant low drones; intro opens almost bare, verse-like sections add a second piano figure and subtle tremolo violas, then a gentle lift brings wider harmonies before thinning back to the motif. Breath-like room tone, soft pedal noise, reversed swells, and a faint bell shimmer between phrases. Close, warm, uncluttered mix., neoclassical, soft, slow, steady
First Light Window II
Indie-folk instrumental at a slow unhurried tempo, built on warm fingerpicked acoustic guitar with soft glockenspiel motifs, airy pad swells, and brushed texture accents. Verse-like sections stay sparse and intimate; a middle lift adds wider harmony layers and a gentle bell counterline; final pass opens the room with fuller pads and a tender guitar flourish. Close, warm, and hopeful mix with natural room glow., gentle, light, soft, acoustic, warm
First Light Window
Indie-folk instrumental at a slow unhurried tempo, built on warm fingerpicked acoustic guitar with soft glockenspiel motifs, airy pad swells, and brushed texture accents. Verse-like sections stay sparse and intimate; a middle lift adds wider harmony layers and a gentle bell counterline; final pass opens the room with fuller pads and a tender guitar flourish. Close, warm, and hopeful mix with natural room glow., gentle, light, soft, acoustic, warm
Quiet Felt Room II
Neoclassical instrumental with a slow, steady pulse; soft felt-piano motif leads while sustained string pads breathe underneath, sparse and uncluttered. Verse-like phrases stay delicate and repeated, then a slight harmonic lift opens the middle section before returning to the grounded motif. Felt key noise, gentle pedal bloom, and a faint reverse string swell mark transitions. Intimate close-mic, warm and clean mix., steady, soft, neoclassical, slow
Quiet Felt Room
Neoclassical instrumental with a slow, steady pulse; soft felt-piano motif leads while sustained string pads breathe underneath, sparse and uncluttered. Verse-like phrases stay delicate and repeated, then a slight harmonic lift opens the middle section before returning to the grounded motif. Felt key noise, gentle pedal bloom, and a faint reverse string swell mark transitions. Intimate close-mic, warm and clean mix., steady, soft, neoclassical, slow
Still Water Keys II
Solo piano, adagio and intimate, with a gently rubato foundation and simple repeating motif; verse-like opening stays bare with soft left-hand broken chords, middle phrase adds higher-register answering notes, final phrase resolves into longer held tones and a faint pedal haze. Felt piano close-miked, subtle room resonance, tiny pedal noises, warm and quiet mix with delicate air around each note.
Still Water Keys
Solo piano, adagio and intimate, with a gently rubato foundation and simple repeating motif; verse-like opening stays bare with soft left-hand broken chords, middle phrase adds higher-register answering notes, final phrase resolves into longer held tones and a faint pedal haze. Felt piano close-miked, subtle room resonance, tiny pedal noises, warm and quiet mix with delicate air around each note.
Felt Window II
Neoclassical ambient with intimate felt-piano motif at 60-68 BPM in 4/4; verse-like phrases stay sparse and repeating, then string pads enter as long bowed swells, a low sub pulse barely flickers, and a final pass opens with extra air and gentle decay. Close-mic piano, soft pedal noise, distant viola-cello bed, subtle tape hiss, airy reverb, restrained and meditative mix, deep, low, simple, dynamics, soft, meditation, neoclassical, cello, smooth, slow, ambient, gentle, reading, classical
Felt Window
Neoclassical ambient with intimate felt-piano motif at 60-68 BPM in 4/4; verse-like phrases stay sparse and repeating, then string pads enter as long bowed swells, a low sub pulse barely flickers, and a final pass opens with extra air and gentle decay. Close-mic piano, soft pedal noise, distant viola-cello bed, subtle tape hiss, airy reverb, restrained and meditative mix, deep, low, simple, dynamics, soft, meditation, neoclassical, cello, smooth, slow, ambient, gentle, reading, classical
Glass Water Lullaby
Solo piano, 68 BPM, gentle rubato feel with soft broken chords, spare verse-like phrases that breathe and resolve into a tender repeating motif, middle section widens with a higher register answer before returning to the opening figure, subtle pedal bloom and felt-noise detail, intimate close-mic and warm, clean mix
Quiet Glass
Solo piano, 68 BPM, gentle rubato feel with soft broken chords, spare verse-like phrases that breathe and resolve into a tender repeating motif, middle section widens with a higher register answer before returning to the opening figure, subtle pedal bloom and felt-noise detail, intimate close-mic and warm, clean mix
Rolling Through Dawn
Folk pop with an upbeat 4/4 sway, brushed drums, chiming mandolin figures, and melodic bass walking under a breezy travel-montage feel; verse rides light acoustic strums and hand percussion, the lift brings brighter mandolin counterlines, the refrain opens with fuller harmony pads, and a final tag adds tambourine and clap accents. Airy close-mic mix, sunlit and crisp., folk, pop
Dawn Road Open
Folk pop with an upbeat 4/4 sway, brushed drums, chiming mandolin figures, and melodic bass walking under a breezy travel-montage feel; verse rides light acoustic strums and hand percussion, the lift brings brighter mandolin counterlines, the refrain opens with fuller harmony pads, and a final tag adds tambourine and clap accents. Airy close-mic mix, sunlit and crisp., folk, pop
Glass Cup Reverie
Solo piano minimalism, slow 6/8 with gentle rubato and repeating left-hand arpeggios; verse-like opening starts bare with a single high-register motif, middle section adds warmer chords and a small bass movement, final passage softens back to one hand and fading sustain. Tiny pedal lifts, felt-piano key noise, and a delicate room-tone tail shape the transitions. Intimate close-mic mix, soft and clean with a warm natural bloom.
Glass Cup Morning
Solo piano minimalism, slow 6/8 with gentle rubato and repeating left-hand arpeggios; verse-like opening starts bare with a single high-register motif, middle section adds warmer chords and a small bass movement, final passage softens back to one hand and fading sustain. Tiny pedal lifts, felt-piano key noise, and a delicate room-tone tail shape the transitions. Intimate close-mic mix, soft and clean with a warm natural bloom.
Rain on Keys
Solo piano ambient with a slow, floating rubato feel and gentle left-hand broken chords; intro opens on a lone felt-piano motif, middle phrases widen with soft register shifts and sustained pedal, final phrase thins back to sparse single notes. Add subtle room tone, a faint key-release texture, and a delicate reverb tail. Intimate close-mic mix, warm and hushed.
Rain on the Pedals
Solo piano ambient with a slow, floating rubato feel and gentle left-hand broken chords; intro opens on a lone felt-piano motif, middle phrases widen with soft register shifts and sustained pedal, final phrase thins back to sparse single notes. Add subtle room tone, a faint key-release texture, and a delicate reverb tail. Intimate close-mic mix, warm and hushed.
Still Water Keys
Solo piano ambient in a slow, свободный rubato feel with simple arpeggiated phrases, gentle left-hand low notes, and a soft repeating motif that evolves by tiny variation. Intro begins sparse; middle section adds wider voicings and a brief lifted melody; ending returns to single notes and decay. Intimate close-mic tone, warm room resonance, delicate pedal wash, velvet-soft and clear.
Still River Keys
Solo piano ambient in a slow, свободный rubato feel with simple arpeggiated phrases, gentle left-hand low notes, and a soft repeating motif that evolves by tiny variation. Intro begins sparse; middle section adds wider voicings and a brief lifted melody; ending returns to single notes and decay. Intimate close-mic tone, warm room resonance, delicate pedal wash, velvet-soft and clear.
Pale Window Reprise
Solo piano instrumental, slow 3/4 lullaby feel with gentle rolled chords, sparse right-hand melody, soft pedal blur, and delicate left-hand bass notes; verse-like opening stays minimal, middle adds a higher countermelody and wider voicings, final phrase settles back to a single fragile theme. Intimate close-mic tone with warm room resonance, subtle felt-piano texture, and a tender, hushed mix.
Pale Window
Solo piano instrumental, slow 3/4 lullaby feel with gentle rolled chords, sparse right-hand melody, soft pedal blur, and delicate left-hand bass notes; verse-like opening stays minimal, middle adds a higher countermelody and wider voicings, final phrase settles back to a single fragile theme. Intimate close-mic tone with warm room resonance, subtle felt-piano texture, and a tender, hushed mix.
Paper Lantern (Dusk)
Solo piano ballad with a gentle 68 BPM pulse, simple arpeggiated left hand and a fragile right-hand melody that circles back in small variations; verse-like opening stays sparse and intimate, middle phrase lifts with a higher register and longer sustain, final phrase returns to the opening figure with a soft cadence. Felt-piano tone, pedal bloom, tiny key noise, and a faint room tail; warm, close-mic, and quietly cinematic.
Paper Lantern
Solo piano ballad with a gentle 68 BPM pulse, simple arpeggiated left hand and a fragile right-hand melody that circles back in small variations; verse-like opening stays sparse and intimate, middle phrase lifts with a higher register and longer sustain, final phrase returns to the opening figure with a soft cadence. Felt-piano tone, pedal bloom, tiny key noise, and a faint room tail; warm, close-mic, and quietly cinematic.