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Dados Na Mão II

Brazilian funk montage instrumental at 128 BPM in a minor key, built on heavy controlled batidão kicks, distorted sub-bass, syncopated baile percussion, and a sharp minimal game-synth motif. Looping eight-bar form with clear gaps for SFX; verses equivalent keep drums and bass tight, then every eighth bar hits a brief silence, bass fake-out, or filtered switch before slamming back. Glitch stabs, tiny vocal textures, bright punchy mix., synthetic, fake, vocal, minimal, anime, playful, clean, baile funk, glitch, rhythmic, funk

Phonk1:22

Hands Off Baby II

Brazilian funk with phonk saturation, 134 BPM, F minor, syncopated batidão drums and elastic distorted bass; hook-first structure with verse hit, half-beat dropouts, then crushing bass returns. Close-mic female MC vocal, playful and provocative, with whispered threats, rhythmic chants, chopped repeats, and ad-lib doubles. Minimal seductive synth hook, stop-start tension, sweaty midnight club atmosphere, dark and dangerous mix with thick low-end and sharp top-end bite., vocal, seductive, strong, emotional, rhythmic, edm, minimal, romantic, funk, sensual, playful, pop

Phonk2:31

Arcade Batidão Loop II

Brazilian funk montagem with a hypnotic 108 BPM half-slow pulse, minor-key batidão groove, huge distorted low end, clipped kicks and long bass tails. Minimal loop-based arrangement: verse texture stays sparse with drums and sub; a midsection adds the glassy video-game synth; final section drops in pitch-lowered chopped vocal fragments and sudden silence gaps before crushing returns. Dreamy, dangerous, and neon-bright, with a wide, warped, slightly dusty mix., funk, synthetic, trance, simple, hypnotic, anime, low, deep, vocal, emotional, minimal, pop

Phonk2:45

Bate Bate

Brazilian automotivo funk, 130 BPM, C-sharp minor, male vocals; immediate hook-driven chant with brutally dry clipped kick, huge sub pressure, sparse metallic percussion, and a sharp repeating stab; verse and chorus collapse into one addictive command phrase; rhythmic shouted doubles, gang ad-libs on the hook, gritty close-mic lead, dirty overloaded physical mix with vinyl-crushed edges, hard rises into each repeat, final chant slams wider and louder, raw, vocal, edm, electronic, funk, emotional

Phonk1:37

Mascot Final Form II

Brazilian phonk and funk montagem with 142 BPM minor-key batidão, instant three-note synth hook, clipped kicks, distorted sub drops, candy digital melodies, high-pitched vocal chops, fake game-over blips, one-beat silences, pitch dives, and abrupt restart stutters; short viral structure with fast cut arrangement, robotic giggle doubles, whispered-to-shouted lead flips, hyper-catchy and punchy mix, pop, fake, anime, vocal, funk

Phonk2:39

Combo do Arcade

Brazilian funk montage with aggressive syncopated batidão at 136 BPM in a minor key, fused with strange retro arcade electronics and modern heavy low end; verse rides drums, sub-bass, and a bright mono FM lead, pre-drop strips to menu beeps and bit-crushed stabs, chorus slams with chant-like synth motif and one-beat dropouts, bridge glitches into rapid chops and hard restarts. Crisp, colorful, mechanical, punchy mix., funk, nostalgic, simple, theme, chiptune, monophonic, vocal, rhythmic, rapid, playful, bright

Phonk0:32

Savepoint Montagem

Phonk with Brazilian funk montage at 110 BPM, swung and half-time-leaning; verse-like intro circles the glassy corrupted save-point arpeggio, middle section strips to breathy fragments, reversed syllables and startup chimes, then the drop returns with saturated sub, batidão kicks and distorted digital grit. Wide stereo, deep reverb, crunchy compression, eerie but addictive., slow, breathy, hypnotic, vocal, harmony, beautiful, anime, funk, deep, soft, saturated, nostalgic, minimal

Phonk2:08

Bicho Pisa II

Brazilian funk montagem with 140 BPM batidão pulse, minor-key bounce, and a playful digital phonk edge; intro hits instantly with a tiny bright synth squeak answering pitch-shifted female vocals. Verse rides sparse kick, compressed bass, and breathing gaps; pre-chorus tightens with formant flips and mute cuts; chorus drops huge and childish with call-and-response repetition. Cute rude vocal doubles, ad-lib pings, hard four-bar drops, glossy-bright but dirty mix., bright, minimal, rhythmic, funk, playful, vocal, anime

Phonk1:19

Rua Vazia II

Brazilfunk with phonk texture, 128 BPM, E minor, half-time groove and restrained syncopated funk drums; verse rides a haunting two-note motif over deep distorted bass and cold nocturnal pads, pre-chorus opens the space with filtered percussion and a distant low male fragment, chorus lands on a short hypnotic foreign-sounding phrase with pitched doubles and long reverbs; use reverse swells, tape hiss transitions, and sub drops between phrases; wide, empty, cinematic mix with an intimate, detached vocal, hypnotic, vocal, deep, low, funk

Phonk2:32

Coroa de Gelo II

Brazilian phonk with a 130 BPM half-time dembow-batida feel; cold-open on a bright, sharp, formant-shifted high female phrase, then slam into distorted 808s, dry clipped batidão kicks, sparse metallic percussion, and a dark looping hook. Verse-like sections stay skeletal; drop sections repeat sliced vocal fragments and the final syllable as the main chant. High female vocal is doubled, pitch-shifted, and chopped into tiny repeats with tape-stop flicks, reverse swells, and sudden filter snaps. Aggressive, glossy, and claustrophobic mix with piercing top end and brutal low-end weight., vocal, anime, breathy, bright, low

Phonk2:02

Pisca e Vira II

Brazilian funk montação at 132 BPM in F minor with phonk distortion, brutal clipped kick, distorted sub-bass, sparse syncopated groove, and a piercing three-note digital lead. Cold-open with the hook on the first beat; the arrangement stays stop-start with sudden half-beat silences and instant bass returns. Confident female Brazilian Portuguese chant, chopped stutters, formant shifts, layered doubles on the hook. Raw, hypnotic, cocky, sharp mix., raw, hypnotic, funk, rhythmic, vocal, piercing

Phonk0:47

Sombra no Passo

Brazilian funk montage at 108 BPM with dark phonk saturation and minor-key bounce; immediate verse opens on a low intimate female vocal phrase and a glassy two-note digital synth hook. Groove stays heavy with huge overdriven bass, clipped batidão kicks, sudden silence before each drop, and chopped micro-fragments on the hook. Chorus keeps one hypnotic chant, detached and unreal, with wide empty space, short delay throws, and a bright-punchy yet nocturnal mix., ambient, vocal, seductive, hypnotic, funk, low, anime, emotional, simple, slow, stylish

Phonk1:37

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All Lo-Fi Phonk Ambient Cinematic Classical Jazz Acoustic Electronic Pop R&B Hip-Hop Rock

Vocals

AllVocal Instrumental

201 tracks · free · CC0 1.0

Sera a Venezia

Italian lounge orchestra with a soft bossa groove at 94 BPM; verse-like opening rides upright bass, brushed percussion, and vibraphone lead, then the arrangement blooms with strings, harpsichord flourishes, and lush jazz chords in a graceful chorus swell. Delicate top-line doubles, airy room reverb, and occasional tape-wobble swells frame the melody. Warm dusty tape, intimate and elegant, with a velvety late-night sheen., harpsichord, warm, soft, jazz, lounge

Jazz2:38

Velvet Sidewalk Glide

Philly soul disco funk at 114 BPM with a swaying four-on-the-floor pocket, tight bass pops, rich major seventh chords, sweeping string lines, wah guitar flickers, and horn answers that punctuate the melody. Verse section stays lean with bass, drums, and clipped rhythm guitar; lift adds strings and brass; final pass opens wide with stacked hooks. Warm dusty tape, close and glossy mix., soul, warm, rich, disco, funk

R&B2:26

Velvet Turnaround

Jazz waltz at 100 BPM with brushed drums in 3/4, flugelhorn lead over Rhodes voicings and soft upright bass; verse-like sections open sparse, then flute answers the horn in the middle, and a final pass blooms with fuller chord voicings and gentle dynamic lift. Tape-warm chamber feel, close-mic intimacy, subtle room bloom, dusty and elegant mix., jazz, beautiful, warm, soft

Jazz2:19

Late Train Sly

Lo-fi jazz funk at 92 BPM with a walking upright bass, plunger-muted trumpet, vibraphone comping, and brushed drums riding a hypnotic vamp; verse-like sections stay sparse and smoky, the middle opens with a vibraphone motif and bass walk, then a muted trumpet lead steps forward before the final return to the vamp. Dusty tape hiss, soft vinyl crackle, little drum fill pickups, and warm sidechain bloom under an intimate, close-mic mix., hypnotic, jazz funk, lo-fi

Jazz3:33

Late Train Sly II

Jazz3:29

Too Many Times

Orchestral lounge with late-1960s early-1970s polish at 104 BPM; brushed acoustic drums, upright bass, restrained vibraphone, nylon-string guitar, muted trumpet, and soft chamber strings. Verse-like phrases stay spare, pre-chorus lifts with a courteous trumpet turn, then the main melody returns one repeat too many. Close, exact, loopable mix with tape saturation, narrow stereo, gentle wow and flutter, faint CRT room tone., lounge, orchestral, soft, jazzy, tone, acoustic, faint, gentle

Jazz2:24

Sera a Venezia II

Jazz2:24

Patch Cable Drift

Krautrock-inspired motorik instrumental at 100 BPM with steady kick pulse, gently evolving modular-synth arpeggios, and warm analog pads; verse-like sections subtly shift filter patterns and note order, a pre-drop moment adds octave shimmer, then the main section settles back into the pulse. Sparse modular bleeps, tape echo tails, and soft sidechain breathing between phrases. Clean, rounded, hypnotic mix with forward motion and a polished analog glow., warm, hypnotic, steady

Electronic2:49

Rain on Grid Paper II

Lo-fi chillhop, relaxed boom-bap around 75 BPM with swung dusty drums, soft Rhodes chords, gentle jazzy bassline, and a steady head-nod pulse; verse-like sections subtly swap in brushed fills and filtered piano tones, a spare middle break lets the vinyl crackle breathe, then the groove returns with warmer chord voicings and mellow drum ghosts. Close, intimate mix with tape haze, soft transients, and subtle sidechain movement, plus reversed swells and tiny record pops between phrases., lo-fi, bassline, gentle, jazzy, soft, warm, mellow

Lo-Fi2:25

Rain on Grid Paper

Lo-Fi2:03

Patch Cable Drift II

Electronic3:35

Soft Pulse Loop

dramatic, clean, warm, soft, electronic, hypnotic, steady

Electronic2:50

Paper Cup Notes

Lo-fi hip-hop instrumental with a laid-back head-nod groove at study-beat tempo; verse-like opening leans on soft Rhodes chords, brushed drums, and a muted bass pulse, then a subtly fuller middle adds warped piano dabs and chopped percussion, before the last pass strips back to Rhodes, crackle, and ghosted kick. Gentle vinyl crackle, tape wobble, tiny reversed swells, and sidechain breathing between phrases; warm, intimate, dusty mix with cozy late-night focus., mellow, lo-fi, warm, soft, gentle, hip-hop

Lo-Fi1:51

Paper Cup Notes II

Lo-Fi2:03

Soft Pulse Loop II

dramatic, clean, warm, soft, electronic, hypnotic, steady

Electronic3:05

Warm Four

Lo-fi piano instrumental with a laid-back 70 BPM swing, dusty chord loops, soft vinyl crackle, and a gentle kick tucked under the keys; intro starts with solo felt piano, verse layer adds muted bass pulses and brushed rim ticks, then a tiny break brings reversed piano swells before the main loop returns. Intimate close-mic mix, mellow and warm, with rounded highs and a sleepy room tone.

Lo-Fi2:09

Warm Four II

Lo-Fi2:00

Quiet Little Drifts

Solo piano lullaby, slow and contemplative with a gentle rubato feel and simple repeating motif; verse-like opening keeps to soft single-note melody and wide left-hand space, middle phrase adds a tender broken-chord lift, final phrase resolves inward and fades. Light pedal bloom, occasional high-register bell tones, intimate close-mic room sound, warm and airy mix with delicate resonance.

Classical2:08

Quiet Little Drifts II

Classical2:15

Felt Paper II

Lo-fi piano instrumental with a slow 78 BPM sway, soft swung kick taps, brushed vinyl texture, and warm sustained chords; verse loop stays sparse with felt-piano motifs and muted tape wobble, the mid section opens with a higher octave counterline, then settles back into a gentle fade. Tiny room reverb, subtle sidechain pulse, intimate dusty mix.

Lo-Fi1:41

Felt Paper

Lo-Fi1:33

Ember Keys II

Lo-fi piano instrumental with a calm 72 BPM swing, warm felt keys, soft vinyl crackle, brushed rim taps, and a round sub under the left hand; intro opens with solo piano and tape hiss, the middle adds a mellow chord loop and tiny bell sparkles, then the outro fades with filtered chords and room tone. Intimate close-mic mix, dusty and cozy.

Lo-Fi1:22

Rain on Felt Keys II

Lo-fi piano instrumental with a slow 74 BPM sway, soft swung kick dusted with brushed snare ticks, and gentle sub-bass pulses under felted piano chords. Intro opens with vinyl crackle and room noise; the middle adds a glassy music-box motif and reverse piano swells; final section thins to solo keys and tape wobble. Intimate close-mic, warm and smoky, softly compressed and mellow.

Lo-Fi1:44

Ember Keys

Lo-Fi1:51

Rain on Felt Keys

Lo-Fi1:52

Paper Lantern Rain

Ambient solo piano with slow, spacious arpeggios and softly pedaled chords; verse-like phrases open in near silence, then widen with gentle upper-register runs and a lower-left-hand pulse, before a return to sparse, breathy motifs. Subtle keybed noise, long natural room tail, and a faint reversed swell into the middle section. Intimate close-mic mix, warm and hushed, with a soft felt-on-strings character., ambient

Classical2:45

Drift Circuit II

Motorik ambient techno at 100 BPM with steady kick pulse, gently evolving modular-synth arpeggios, warm analog pads, and soft sidechain breath; intro starts with bare pulse and filtered arp, middle adds wider chords and subtle harmonic shifts, final stretch opens the pad bed and lets the pattern loop on. Intimate-close yet spacious, smooth and hypnotic., warm, hypnotic, steady

Electronic3:16

Drift Circuit

Electronic3:56

Paper Lantern Rain II

Classical2:48

Felt Room Dawn

Neoclassical ambient at a slow, grounding tempo with soft felt piano leading a looping motif over sustained string pads and distant low drones; intro opens almost bare, verse-like sections add a second piano figure and subtle tremolo violas, then a gentle lift brings wider harmonies before thinning back to the motif. Breath-like room tone, soft pedal noise, reversed swells, and a faint bell shimmer between phrases. Close, warm, uncluttered mix., neoclassical, soft, slow, steady

Classical2:38