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Dados Na Mão II
Brazilian funk montage instrumental at 128 BPM in a minor key, built on heavy controlled batidão kicks, distorted sub-bass, syncopated baile percussion, and a sharp minimal game-synth motif. Looping eight-bar form with clear gaps for SFX; verses equivalent keep drums and bass tight, then every eighth bar hits a brief silence, bass fake-out, or filtered switch before slamming back. Glitch stabs, tiny vocal textures, bright punchy mix., synthetic, fake, vocal, minimal, anime, playful, clean, baile funk, glitch, rhythmic, funk
Hands Off Baby II
Brazilian funk with phonk saturation, 134 BPM, F minor, syncopated batidão drums and elastic distorted bass; hook-first structure with verse hit, half-beat dropouts, then crushing bass returns. Close-mic female MC vocal, playful and provocative, with whispered threats, rhythmic chants, chopped repeats, and ad-lib doubles. Minimal seductive synth hook, stop-start tension, sweaty midnight club atmosphere, dark and dangerous mix with thick low-end and sharp top-end bite., vocal, seductive, strong, emotional, rhythmic, edm, minimal, romantic, funk, sensual, playful, pop
Arcade Batidão Loop II
Brazilian funk montagem with a hypnotic 108 BPM half-slow pulse, minor-key batidão groove, huge distorted low end, clipped kicks and long bass tails. Minimal loop-based arrangement: verse texture stays sparse with drums and sub; a midsection adds the glassy video-game synth; final section drops in pitch-lowered chopped vocal fragments and sudden silence gaps before crushing returns. Dreamy, dangerous, and neon-bright, with a wide, warped, slightly dusty mix., funk, synthetic, trance, simple, hypnotic, anime, low, deep, vocal, emotional, minimal, pop
Bate Bate
Brazilian automotivo funk, 130 BPM, C-sharp minor, male vocals; immediate hook-driven chant with brutally dry clipped kick, huge sub pressure, sparse metallic percussion, and a sharp repeating stab; verse and chorus collapse into one addictive command phrase; rhythmic shouted doubles, gang ad-libs on the hook, gritty close-mic lead, dirty overloaded physical mix with vinyl-crushed edges, hard rises into each repeat, final chant slams wider and louder, raw, vocal, edm, electronic, funk, emotional
Mascot Final Form II
Brazilian phonk and funk montagem with 142 BPM minor-key batidão, instant three-note synth hook, clipped kicks, distorted sub drops, candy digital melodies, high-pitched vocal chops, fake game-over blips, one-beat silences, pitch dives, and abrupt restart stutters; short viral structure with fast cut arrangement, robotic giggle doubles, whispered-to-shouted lead flips, hyper-catchy and punchy mix, pop, fake, anime, vocal, funk
Combo do Arcade
Brazilian funk montage with aggressive syncopated batidão at 136 BPM in a minor key, fused with strange retro arcade electronics and modern heavy low end; verse rides drums, sub-bass, and a bright mono FM lead, pre-drop strips to menu beeps and bit-crushed stabs, chorus slams with chant-like synth motif and one-beat dropouts, bridge glitches into rapid chops and hard restarts. Crisp, colorful, mechanical, punchy mix., funk, nostalgic, simple, theme, chiptune, monophonic, vocal, rhythmic, rapid, playful, bright
Mood

373 tracks · free · CC0 1.0

Sera a Venezia
Italian lounge orchestra with a soft bossa groove at 94 BPM; verse-like opening rides upright bass, brushed percussion, and vibraphone lead, then the arrangement blooms with strings, harpsichord flourishes, and lush jazz chords in a graceful chorus swell. Delicate top-line doubles, airy room reverb, and occasional tape-wobble swells frame the melody. Warm dusty tape, intimate and elegant, with a velvety late-night sheen., harpsichord, warm, soft, jazz, lounge
Harpsichord Pop
French yé-yé pop instrumental at 116 BPM, sweet instantly catchy harpsichord lead carrying a singable major-key melody, lush arranged strings swelling between phrases, bright major-key rhythm guitar chords, tambourine on the backbeat, rounded upright bass walking simply beneath the groove, fuzz guitar answering the harpsichord in short playful call-and-response phrases. Compact verse-and-chorus-like arrangement with a memorable opening hook, string lift into each refrain, a brief instrumental breakdown, then a final expanded melody. Warm dusty 1960s tape coloration, gentle saturation, slightly softened transients, mono-compatible vintage pop mix, lively but polished, no vocals.
Velvet Turnaround
Jazz waltz at 100 BPM with brushed drums in 3/4, flugelhorn lead over Rhodes voicings and soft upright bass; verse-like sections open sparse, then flute answers the horn in the middle, and a final pass blooms with fuller chord voicings and gentle dynamic lift. Tape-warm chamber feel, close-mic intimacy, subtle room bloom, dusty and elegant mix., jazz, beautiful, warm, soft
Late Train Sly
Lo-fi jazz funk at 92 BPM with a walking upright bass, plunger-muted trumpet, vibraphone comping, and brushed drums riding a hypnotic vamp; verse-like sections stay sparse and smoky, the middle opens with a vibraphone motif and bass walk, then a muted trumpet lead steps forward before the final return to the vamp. Dusty tape hiss, soft vinyl crackle, little drum fill pickups, and warm sidechain bloom under an intimate, close-mic mix., hypnotic, jazz funk, lo-fi
Late Train Sly II
Lo-fi jazz funk at 92 BPM with a walking upright bass, plunger-muted trumpet, vibraphone comping, and brushed drums riding a hypnotic vamp; verse-like sections stay sparse and smoky, the middle opens with a vibraphone motif and bass walk, then a muted trumpet lead steps forward before the final return to the vamp. Dusty tape hiss, soft vinyl crackle, little drum fill pickups, and warm sidechain bloom under an intimate, close-mic mix., hypnotic, jazz funk, lo-fi
Too Many Times
Orchestral lounge with late-1960s early-1970s polish at 104 BPM; brushed acoustic drums, upright bass, restrained vibraphone, nylon-string guitar, muted trumpet, and soft chamber strings. Verse-like phrases stay spare, pre-chorus lifts with a courteous trumpet turn, then the main melody returns one repeat too many. Close, exact, loopable mix with tape saturation, narrow stereo, gentle wow and flutter, faint CRT room tone., lounge, orchestral, soft, jazzy, tone, acoustic, faint, gentle
Sera a Venezia II
Italian lounge orchestra with a soft bossa groove at 94 BPM; verse-like opening rides upright bass, brushed percussion, and vibraphone lead, then the arrangement blooms with strings, harpsichord flourishes, and lush jazz chords in a graceful chorus swell. Delicate top-line doubles, airy room reverb, and occasional tape-wobble swells frame the melody. Warm dusty tape, intimate and elegant, with a velvety late-night sheen., harpsichord, warm, soft, jazz, lounge
Vacant Desk Glow
Lounge muzak, 62 BPM, slow swaying pulse with lone electric organ and vibraphone carrying long sustained chords; verse-like opening stays bare with tape hiss and soft room tone, middle section adds brushed ghost percussion and a faint sub swell, final pass drifts back to organ and vibraphone in wider harmony. Mono ceiling-speaker feel, dusty, intimate, and drained., slow, electric, sad, theme, lounge
Vacant Desk Glow II
Lounge muzak, 62 BPM, slow swaying pulse with lone electric organ and vibraphone carrying long sustained chords; verse-like opening stays bare with tape hiss and soft room tone, middle section adds brushed ghost percussion and a faint sub swell, final pass drifts back to organ and vibraphone in wider harmony. Mono ceiling-speaker feel, dusty, intimate, and drained., slow, electric, sad, theme, lounge
Dados Na Mão
Brazilian funk montage instrumental at 128 BPM in a minor key, built on heavy controlled batidão kicks, distorted sub-bass, syncopated baile percussion, and a sharp minimal game-synth motif. Looping eight-bar form with clear gaps for SFX; verses equivalent keep drums and bass tight, then every eighth bar hits a brief silence, bass fake-out, or filtered switch before slamming back. Glitch stabs, tiny vocal textures, bright punchy mix., synthetic, fake, vocal, minimal, anime, playful, clean, baile funk, glitch, rhythmic, funk
Dados Na Mão II
Brazilian funk montage instrumental at 128 BPM in a minor key, built on heavy controlled batidão kicks, distorted sub-bass, syncopated baile percussion, and a sharp minimal game-synth motif. Looping eight-bar form with clear gaps for SFX; verses equivalent keep drums and bass tight, then every eighth bar hits a brief silence, bass fake-out, or filtered switch before slamming back. Glitch stabs, tiny vocal textures, bright punchy mix., synthetic, fake, vocal, minimal, anime, playful, clean, baile funk, glitch, rhythmic, funk
Rain on Grid Paper II
Lo-fi chillhop, relaxed boom-bap around 75 BPM with swung dusty drums, soft Rhodes chords, gentle jazzy bassline, and a steady head-nod pulse; verse-like sections subtly swap in brushed fills and filtered piano tones, a spare middle break lets the vinyl crackle breathe, then the groove returns with warmer chord voicings and mellow drum ghosts. Close, intimate mix with tape haze, soft transients, and subtle sidechain movement, plus reversed swells and tiny record pops between phrases., lo-fi, bassline, gentle, jazzy, soft, warm, mellow
Rain on Grid Paper
Lo-fi chillhop, relaxed boom-bap around 75 BPM with swung dusty drums, soft Rhodes chords, gentle jazzy bassline, and a steady head-nod pulse; verse-like sections subtly swap in brushed fills and filtered piano tones, a spare middle break lets the vinyl crackle breathe, then the groove returns with warmer chord voicings and mellow drum ghosts. Close, intimate mix with tape haze, soft transients, and subtle sidechain movement, plus reversed swells and tiny record pops between phrases., lo-fi, bassline, gentle, jazzy, soft, warm, mellow
Hands Off Baby II
Brazilian funk with phonk saturation, 134 BPM, F minor, syncopated batidão drums and elastic distorted bass; hook-first structure with verse hit, half-beat dropouts, then crushing bass returns. Close-mic female MC vocal, playful and provocative, with whispered threats, rhythmic chants, chopped repeats, and ad-lib doubles. Minimal seductive synth hook, stop-start tension, sweaty midnight club atmosphere, dark and dangerous mix with thick low-end and sharp top-end bite., vocal, seductive, strong, emotional, rhythmic, edm, minimal, romantic, funk, sensual, playful, pop
Warm Pulse Field
Ambient minimalism with steady warm synth pads, subtle pulsing low bass, soft white-noise texture, sparse hypnotic motion at around 70 BPM, gradual section lift from pure pad bed to gently swelling layers, airy risers and reversed swells between phrases, no lead melody, close and soothing mix with wide soft-focus stereo bloom, minimal, deep, hypnotic, ambient, soft, low, noise, warm, steady
Warm Pulse Field II
Ambient minimalism with steady warm synth pads, subtle pulsing low bass, soft white-noise texture, sparse hypnotic motion at around 70 BPM, gradual section lift from pure pad bed to gently swelling layers, airy risers and reversed swells between phrases, no lead melody, close and soothing mix with wide soft-focus stereo bloom, minimal, deep, hypnotic, ambient, soft, low, noise, warm, steady
Hands Off Baby
Brazilian funk with phonk saturation, 134 BPM, F minor, syncopated batidão drums and elastic distorted bass; hook-first structure with verse hit, half-beat dropouts, then crushing bass returns. Close-mic female MC vocal, playful and provocative, with whispered threats, rhythmic chants, chopped repeats, and ad-lib doubles. Minimal seductive synth hook, stop-start tension, sweaty midnight club atmosphere, dark and dangerous mix with thick low-end and sharp top-end bite., vocal, seductive, strong, emotional, rhythmic, edm, minimal, romantic, funk, sensual, playful, pop
Arcade Batidão Loop
Brazilian funk montagem with a hypnotic 108 BPM half-slow pulse, minor-key batidão groove, huge distorted low end, clipped kicks and long bass tails. Minimal loop-based arrangement: verse texture stays sparse with drums and sub; a midsection adds the glassy video-game synth; final section drops in pitch-lowered chopped vocal fragments and sudden silence gaps before crushing returns. Dreamy, dangerous, and neon-bright, with a wide, warped, slightly dusty mix., funk, synthetic, trance, simple, hypnotic, anime, low, deep, vocal, emotional, minimal, pop
Arcade Batidão Loop II
Brazilian funk montagem with a hypnotic 108 BPM half-slow pulse, minor-key batidão groove, huge distorted low end, clipped kicks and long bass tails. Minimal loop-based arrangement: verse texture stays sparse with drums and sub; a midsection adds the glassy video-game synth; final section drops in pitch-lowered chopped vocal fragments and sudden silence gaps before crushing returns. Dreamy, dangerous, and neon-bright, with a wide, warped, slightly dusty mix., funk, synthetic, trance, simple, hypnotic, anime, low, deep, vocal, emotional, minimal, pop
Paper Cup Notes
Lo-fi hip-hop instrumental with a laid-back head-nod groove at study-beat tempo; verse-like opening leans on soft Rhodes chords, brushed drums, and a muted bass pulse, then a subtly fuller middle adds warped piano dabs and chopped percussion, before the last pass strips back to Rhodes, crackle, and ghosted kick. Gentle vinyl crackle, tape wobble, tiny reversed swells, and sidechain breathing between phrases; warm, intimate, dusty mix with cozy late-night focus., mellow, lo-fi, warm, soft, gentle, hip-hop
Paper Cup Notes II
Lo-fi hip-hop instrumental with a laid-back head-nod groove at study-beat tempo; verse-like opening leans on soft Rhodes chords, brushed drums, and a muted bass pulse, then a subtly fuller middle adds warped piano dabs and chopped percussion, before the last pass strips back to Rhodes, crackle, and ghosted kick. Gentle vinyl crackle, tape wobble, tiny reversed swells, and sidechain breathing between phrases; warm, intimate, dusty mix with cozy late-night focus., mellow, lo-fi, warm, soft, gentle, hip-hop
Drift Desk
Ambient downtempo at 70 BPM with steady warm synth pads, subtle pulsing low bass, and a soft white-noise sheen; the arrangement stays hypnotic and even, with tiny filter swells in the intro, a slightly fuller midsection, then a gentle taper at the end. Breath-like sidechain movement, faint reversed air swells, and slow stereo drift add motion. Wide, soft-focus mix, spacious and calm, built for deep-work focus., steady, ambient, low, warm, deep, hypnotic, soft, noise
Bate Bate
Brazilian automotivo funk, 130 BPM, C-sharp minor, male vocals; immediate hook-driven chant with brutally dry clipped kick, huge sub pressure, sparse metallic percussion, and a sharp repeating stab; verse and chorus collapse into one addictive command phrase; rhythmic shouted doubles, gang ad-libs on the hook, gritty close-mic lead, dirty overloaded physical mix with vinyl-crushed edges, hard rises into each repeat, final chant slams wider and louder, raw, vocal, edm, electronic, funk, emotional
Bate Bate II
Brazilian automotivo funk, 130 BPM, C-sharp minor, male vocals; immediate hook-driven chant with brutally dry clipped kick, huge sub pressure, sparse metallic percussion, and a sharp repeating stab; verse and chorus collapse into one addictive command phrase; rhythmic shouted doubles, gang ad-libs on the hook, gritty close-mic lead, dirty overloaded physical mix with vinyl-crushed edges, hard rises into each repeat, final chant slams wider and louder, raw, vocal, edm, electronic, funk, emotional
Drift Desk II
Ambient downtempo at 70 BPM with steady warm synth pads, subtle pulsing low bass, and a soft white-noise sheen; the arrangement stays hypnotic and even, with tiny filter swells in the intro, a slightly fuller midsection, then a gentle taper at the end. Breath-like sidechain movement, faint reversed air swells, and slow stereo drift add motion. Wide, soft-focus mix, spacious and calm, built for deep-work focus., steady, ambient, low, warm, deep, hypnotic, soft, noise
Mascot Final Form
Brazilian phonk and funk montagem with 142 BPM minor-key batidão, instant three-note synth hook, clipped kicks, distorted sub drops, candy digital melodies, high-pitched vocal chops, fake game-over blips, one-beat silences, pitch dives, and abrupt restart stutters; short viral structure with fast cut arrangement, robotic giggle doubles, whispered-to-shouted lead flips, hyper-catchy and punchy mix, pop, fake, anime, vocal, funk
Paper Lantern Drift
Ambient downtempo at 70 BPM with steady warm analog synth pads, subtle pulsing low bass, soft white-noise texture, and hypnotic even pacing; intro opens on distant tape hiss and a slow filter swell, midsection adds wider pad layers and faint sidechain breathing, final stretch thins to a single glowing chord. Spacious reverb, gentle tape warmth, intimate and immersive mix., steady, noise, ambient, warm, hypnotic, minimal, soft, low, deep, gentle
Mascot Final Form II
Brazilian phonk and funk montagem with 142 BPM minor-key batidão, instant three-note synth hook, clipped kicks, distorted sub drops, candy digital melodies, high-pitched vocal chops, fake game-over blips, one-beat silences, pitch dives, and abrupt restart stutters; short viral structure with fast cut arrangement, robotic giggle doubles, whispered-to-shouted lead flips, hyper-catchy and punchy mix, pop, fake, anime, vocal, funk
Paper Lantern Drift II
Ambient downtempo at 70 BPM with steady warm analog synth pads, subtle pulsing low bass, soft white-noise texture, and hypnotic even pacing; intro opens on distant tape hiss and a slow filter swell, midsection adds wider pad layers and faint sidechain breathing, final stretch thins to a single glowing chord. Spacious reverb, gentle tape warmth, intimate and immersive mix., steady, noise, ambient, warm, hypnotic, minimal, soft, low, deep, gentle
Bim Ba Bum Bo
Brazilian funk with phonk grit at 146 BPM, dembow-adjacent batidão drums, huge distorted kick, one elastic synth note, rubbery bass bends, tiny digital glitches, and playful robotic vocal chops; cold-open straight into the hook, verse stays sparse and physical, pre-chorus snaps with quarter-beat pauses, chorus hits with stacked chopped doubles and fast pitch jumps, final loop drops the last line back into the opening. Close-mic robotic lead, chopped ad-libs, punchy bright-dirty mix, vocal, playful, funk, complex