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Dados Na Mão II
Brazilian funk montage instrumental at 128 BPM in a minor key, built on heavy controlled batidão kicks, distorted sub-bass, syncopated baile percussion, and a sharp minimal game-synth motif. Looping eight-bar form with clear gaps for SFX; verses equivalent keep drums and bass tight, then every eighth bar hits a brief silence, bass fake-out, or filtered switch before slamming back. Glitch stabs, tiny vocal textures, bright punchy mix., synthetic, fake, vocal, minimal, anime, playful, clean, baile funk, glitch, rhythmic, funk
Hands Off Baby II
Brazilian funk with phonk saturation, 134 BPM, F minor, syncopated batidão drums and elastic distorted bass; hook-first structure with verse hit, half-beat dropouts, then crushing bass returns. Close-mic female MC vocal, playful and provocative, with whispered threats, rhythmic chants, chopped repeats, and ad-lib doubles. Minimal seductive synth hook, stop-start tension, sweaty midnight club atmosphere, dark and dangerous mix with thick low-end and sharp top-end bite., vocal, seductive, strong, emotional, rhythmic, edm, minimal, romantic, funk, sensual, playful, pop
Arcade Batidão Loop II
Brazilian funk montagem with a hypnotic 108 BPM half-slow pulse, minor-key batidão groove, huge distorted low end, clipped kicks and long bass tails. Minimal loop-based arrangement: verse texture stays sparse with drums and sub; a midsection adds the glassy video-game synth; final section drops in pitch-lowered chopped vocal fragments and sudden silence gaps before crushing returns. Dreamy, dangerous, and neon-bright, with a wide, warped, slightly dusty mix., funk, synthetic, trance, simple, hypnotic, anime, low, deep, vocal, emotional, minimal, pop
Bate Bate
Brazilian automotivo funk, 130 BPM, C-sharp minor, male vocals; immediate hook-driven chant with brutally dry clipped kick, huge sub pressure, sparse metallic percussion, and a sharp repeating stab; verse and chorus collapse into one addictive command phrase; rhythmic shouted doubles, gang ad-libs on the hook, gritty close-mic lead, dirty overloaded physical mix with vinyl-crushed edges, hard rises into each repeat, final chant slams wider and louder, raw, vocal, edm, electronic, funk, emotional
Mascot Final Form II
Brazilian phonk and funk montagem with 142 BPM minor-key batidão, instant three-note synth hook, clipped kicks, distorted sub drops, candy digital melodies, high-pitched vocal chops, fake game-over blips, one-beat silences, pitch dives, and abrupt restart stutters; short viral structure with fast cut arrangement, robotic giggle doubles, whispered-to-shouted lead flips, hyper-catchy and punchy mix, pop, fake, anime, vocal, funk
Combo do Arcade
Brazilian funk montage with aggressive syncopated batidão at 136 BPM in a minor key, fused with strange retro arcade electronics and modern heavy low end; verse rides drums, sub-bass, and a bright mono FM lead, pre-drop strips to menu beeps and bit-crushed stabs, chorus slams with chant-like synth motif and one-beat dropouts, bridge glitches into rapid chops and hard restarts. Crisp, colorful, mechanical, punchy mix., funk, nostalgic, simple, theme, chiptune, monophonic, vocal, rhythmic, rapid, playful, bright
Mood

36 tracks · free · CC0 1.0

Paper Sun
Ambient folk instrumental with unhurried fingerpicked acoustic guitar, soft glockenspiel accents, and airy pad swells; verse-like sections keep it sparse and intimate, then a gentle lift adds chiming upper tones and subtle brushed texture before settling back to a calm open ending. Breathable close-mic acoustic, delicate transients, warm wide mix, hopeful and softly luminous., acoustic, warm, light, gentle, soft
Paper Sun II
Ambient folk instrumental with unhurried fingerpicked acoustic guitar, soft glockenspiel accents, and airy pad swells; verse-like sections keep it sparse and intimate, then a gentle lift adds chiming upper tones and subtle brushed texture before settling back to a calm open ending. Breathable close-mic acoustic, delicate transients, warm wide mix, hopeful and softly luminous., acoustic, warm, light, gentle, soft
First Light Window II
Indie-folk instrumental at a slow unhurried tempo, built on warm fingerpicked acoustic guitar with soft glockenspiel motifs, airy pad swells, and brushed texture accents. Verse-like sections stay sparse and intimate; a middle lift adds wider harmony layers and a gentle bell counterline; final pass opens the room with fuller pads and a tender guitar flourish. Close, warm, and hopeful mix with natural room glow., gentle, light, soft, acoustic, warm
First Light Window
Indie-folk instrumental at a slow unhurried tempo, built on warm fingerpicked acoustic guitar with soft glockenspiel motifs, airy pad swells, and brushed texture accents. Verse-like sections stay sparse and intimate; a middle lift adds wider harmony layers and a gentle bell counterline; final pass opens the room with fuller pads and a tender guitar flourish. Close, warm, and hopeful mix with natural room glow., gentle, light, soft, acoustic, warm
Rolling Through Dawn
Folk pop with an upbeat 4/4 sway, brushed drums, chiming mandolin figures, and melodic bass walking under a breezy travel-montage feel; verse rides light acoustic strums and hand percussion, the lift brings brighter mandolin counterlines, the refrain opens with fuller harmony pads, and a final tag adds tambourine and clap accents. Airy close-mic mix, sunlit and crisp., folk, pop
Dawn Road Open
Folk pop with an upbeat 4/4 sway, brushed drums, chiming mandolin figures, and melodic bass walking under a breezy travel-montage feel; verse rides light acoustic strums and hand percussion, the lift brings brighter mandolin counterlines, the refrain opens with fuller harmony pads, and a final tag adds tambourine and clap accents. Airy close-mic mix, sunlit and crisp., folk, pop
Not Tonight
anthemic pop-rock, driving electric guitars, punchy drums, passionate male vocals, big stadium chorus, uplifting, power chords, soaring melody, energetic, modern rock production
Taking Back The Night
anthemic pop-rock, driving electric guitars, punchy drums, passionate male vocals, big stadium chorus, uplifting, power chords, soaring melody, energetic, modern rock production
Break the Guard
Pop rock with alternative rock and indie pop lift at 120 bpm, stomping clap-back groove and gritty male vocals over distorted electric guitars; verse rides tight live-band chugs and restrained drums, pre-chorus opens with tom climbs and gang shouts, chorus explodes into wide singalong chords and pounding claps, bridge pulls to half-time with stacked harmonies before the final lift. Add handclap breaks, reverse cymbal swells, and crowd-style echoes; bright, punchy, arena-sized mix., vocal, alternative rock, pop rock, electric, indie rock, uplifting, indie pop, southern rock, rock, soaring
Broken Crown Run
Pop rock with alternative rock and indie pop lift at 120 bpm, stomping clap-back groove and gritty male vocals over distorted electric guitars; verse rides tight live-band chugs and restrained drums, pre-chorus opens with tom climbs and gang shouts, chorus explodes into wide singalong chords and pounding claps, bridge pulls to half-time with stacked harmonies before the final lift. Add handclap breaks, reverse cymbal swells, and crowd-style echoes; bright, punchy, arena-sized mix., vocal, alternative rock, pop rock, electric, indie rock, uplifting, indie pop, southern rock, rock, soaring
Paper Cup Letters
Acoustic folk-pop with a 78 BPM fingerpicked groove and soft body taps; verse stays intimate with close male vocal, subtle upright bass, and sparse guitar, pre-chorus opens with breathy doubles and rising strings, chorus lands with soft handclaps and warm stacked harmonies, bridge strips back to guitar and room tone before a final lift. Light room reverb, organic and unprocessed, candlelit and honest., singer-songwriter, warm, vocal, gentle, light, heartfelt, folk-pop, soft, acoustic, emotional
Blue Ink Morning
Acoustic folk-pop with a 78 BPM fingerpicked groove and soft body taps; verse stays intimate with close male vocal, subtle upright bass, and sparse guitar, pre-chorus opens with breathy doubles and rising strings, chorus lands with soft handclaps and warm stacked harmonies, bridge strips back to guitar and room tone before a final lift. Light room reverb, organic and unprocessed, candlelit and honest., singer-songwriter, warm, vocal, gentle, light, heartfelt, folk-pop, soft, acoustic, emotional
When Morning Hits
Alternative rock / pop rock anthem with male vocals, 120 bpm four-on-the-floor drive, punchy drums and bright stadium synth stabs; verse stays tight and propulsive, pre-chorus opens with rising tension and stacked gang voices, chorus erupts into a huge sing-along hook with whoa-oh chants and wide doubles, bridge strips back to voice and pulse before a final key-change lift into an euphoric last chorus. Glossy, radio-polished, wide stereo, festival-sized mix., indie pop, dramatic, bright, vocal, soaring, pop, alternative rock, pop rock, uplifting, britpop
Hold That Fire
Alternative rock / pop rock anthem with male vocals, 120 bpm four-on-the-floor drive, punchy drums and bright stadium synth stabs; verse stays tight and propulsive, pre-chorus opens with rising tension and stacked gang voices, chorus erupts into a huge sing-along hook with whoa-oh chants and wide doubles, bridge strips back to voice and pulse before a final key-change lift into an euphoric last chorus. Glossy, radio-polished, wide stereo, festival-sized mix., indie pop, dramatic, bright, vocal, soaring, pop, alternative rock, pop rock, uplifting, britpop
Rise From The Ashes
Pop rock with a gritty melodic male lead, driving distorted guitars, pounding live drums, and stomp-clap chorus energy at a fast 130 bpm; moody verse rides tight palm-muted riffs and low toms, pre-chorus opens into rising gang harmonies, chorus explodes with crash cymbals, layered shouts, and fist-pump hooks. Vocal is close-mic and rough in verses, doubled and shouted on hooks, with delay throws on key lines. Ear candy includes risers, reversed guitar swells, and crowd-style claps. Bright, huge, arena-ready mix., pop, uplifting, pop rock, post-grunge, moody, southern rock, rock, hard rock, soaring, electric, alternative rock, vocal, indie pop, indie rock
Break The Chain
Pop rock with a gritty melodic male lead, driving distorted guitars, pounding live drums, and stomp-clap chorus energy at a fast 130 bpm; moody verse rides tight palm-muted riffs and low toms, pre-chorus opens into rising gang harmonies, chorus explodes with crash cymbals, layered shouts, and fist-pump hooks. Vocal is close-mic and rough in verses, doubled and shouted on hooks, with delay throws on key lines. Ear candy includes risers, reversed guitar swells, and crowd-style claps. Bright, huge, arena-ready mix., pop, uplifting, pop rock, post-grunge, moody, southern rock, rock, hard rock, soaring, electric, alternative rock, vocal, indie pop, indie rock
Burn The Rope
Pop-rock anthem with male vocals, 132 BPM in E major, driving distorted guitars, chugging palm-muted verses, soaring open-chord choruses, live drum kit, big floor toms, stomp-clap layers, gang whoa-oh backs, punchy bass, subtle chorus piano lift; verse stays tight and intimate, pre-chorus tightens with rising toms and handclaps, chorus explodes wide with stacked harmonies and full-band wall of sound, bridge drops to half-time on stomp-clap and vocal before the final lift; gritty, bright, punchy, arena-sized mix, rock, empowering, edm, steady, electric, soft, uplifting, soaring, vocal, pop
Smoke And Thunder
Pop-rock anthem with male vocals, 132 BPM in E major, driving distorted guitars, chugging palm-muted verses, soaring open-chord choruses, live drum kit, big floor toms, stomp-clap layers, gang whoa-oh backs, punchy bass, subtle chorus piano lift; verse stays tight and intimate, pre-chorus tightens with rising toms and handclaps, chorus explodes wide with stacked harmonies and full-band wall of sound, bridge drops to half-time on stomp-clap and vocal before the final lift; gritty, bright, punchy, arena-sized mix, rock, empowering, edm, steady, electric, soft, uplifting, soaring, vocal, pop
Porch Light and Rain
Folk-pop with intimate 82 BPM fingerpicked acoustic drive and light upright bass pulse; verse stays hushed with close-mic male vocals and brushed snare touches, pre-chorus opens with soft hand claps and rising cello, chorus blooms wide with layered harmonies, warm violin pads, and gentle gang-style backing on the hook. Bridge strips back to guitar and voice, then final chorus swells with room-filling reverb and organic, unpolished warmth., singer-songwriter, folk-pop, heartfelt, breathy, electronic, light, acoustic, gentle, soft, vocal, warm, violin, cello
Back Porch Key
Folk-pop with intimate 82 BPM fingerpicked acoustic drive and light upright bass pulse; verse stays hushed with close-mic male vocals and brushed snare touches, pre-chorus opens with soft hand claps and rising cello, chorus blooms wide with layered harmonies, warm violin pads, and gentle gang-style backing on the hook. Bridge strips back to guitar and voice, then final chorus swells with room-filling reverb and organic, unpolished warmth., singer-songwriter, folk-pop, heartfelt, breathy, electronic, light, acoustic, gentle, soft, vocal, warm, violin, cello
We Don't Bend
Pop rock / alternative rock with male vocals, 128 BPM, E major, driving four-on-the-floor kick-snare energy and gritty palm-muted guitars; verse builds tension with tight bass and tom accents, pre-chorus adds stomp-clap percussion and rising gang shouts, chorus explodes with full-band power chords, harmonized whoa-oh hooks, and fist-up chant backups. Wide stereo guitars, punchy live-room mix, huge reverb lifts and crisp modern edge., post-grunge, uplifting, pop rock, harmonized, electric, alternative rock, soaring, hard rock, rock, indie pop, vocal
Broken Halo Run
Pop rock / alternative rock with male vocals, 128 BPM, E major, driving four-on-the-floor kick-snare energy and gritty palm-muted guitars; verse builds tension with tight bass and tom accents, pre-chorus adds stomp-clap percussion and rising gang shouts, chorus explodes with full-band power chords, harmonized whoa-oh hooks, and fist-up chant backups. Wide stereo guitars, punchy live-room mix, huge reverb lifts and crisp modern edge., post-grunge, uplifting, pop rock, harmonized, electric, alternative rock, soaring, hard rock, rock, indie pop, vocal
Hold On To Me
Folk-pop with fingerpicked acoustic guitar, brushed percussion, soft claps, gentle cello and violin pads; verse stays close-mic and hushed with subtle room tone, pre-chorus lifts on hand claps and rising harmony, chorus swells with layered doubles and warm gang oohs. Bridge strips to vocal plus guitar, then final chorus blooms wide. Warm analog tape feel, organic, intimate, and glowing., warm, emotional, soft, heartfelt, gentle, singer-songwriter, violin, acoustic, folk-pop, vocal, cello
Last Plate Cold
Folk-pop with fingerpicked acoustic guitar, brushed percussion, soft claps, gentle cello and violin pads; verse stays close-mic and hushed with subtle room tone, pre-chorus lifts on hand claps and rising harmony, chorus swells with layered doubles and warm gang oohs. Bridge strips to vocal plus guitar, then final chorus blooms wide. Warm analog tape feel, organic, intimate, and glowing., warm, emotional, soft, heartfelt, gentle, singer-songwriter, violin, acoustic, folk-pop, vocal, cello
Break The Glass
Pop-rock anthem with gritty male lead vocal, driving distorted guitars, live-feel drums, stomp-clap momentum, and a huge explosive chorus. Verse rides tense power-chords and tight kick/snare; pre-chorus opens with gang claps and rising toms; chorus hits wide with doubled lead, stacked harmonies, shouted ad-libs, and a gang-vocal hook. Bridge drops to half-time with filtered guitars and a raw vocal break, then final chorus returns bigger with extra crash cymbals and handclap lifts. Bright, punchy, stadium-sized mix with gritty edge., rock, uplifting, vocal, pop
Burn The Map
Pop-rock anthem with gritty male lead vocal, driving distorted guitars, live-feel drums, stomp-clap momentum, and a huge explosive chorus. Verse rides tense power-chords and tight kick/snare; pre-chorus opens with gang claps and rising toms; chorus hits wide with doubled lead, stacked harmonies, shouted ad-libs, and a gang-vocal hook. Bridge drops to half-time with filtered guitars and a raw vocal break, then final chorus returns bigger with extra crash cymbals and handclap lifts. Bright, punchy, stadium-sized mix with gritty edge., rock, uplifting, vocal, pop
Porchlight Drift
Acoustic folk-pop with fingerpicked guitar topline at 96 BPM, warm upright bass, soft claps and light drums, and gentle string swells; verse-like intro starts sparse with guitar and bass, midsection adds brushed percussion and cello bed, then a fuller final pass lifts with shimmer strings and handclap accents. Intimate close-mic feel, airy harmonies, clean low end, warm and tender mix., light, folk-pop, acoustic, heartfelt, gentle, singer-songwriter, pop, soft, warm
Porchlight Hymn
Acoustic folk-pop with fingerpicked guitar topline at 96 BPM, warm upright bass, soft claps and light drums, and gentle string swells; verse-like intro starts sparse with guitar and bass, midsection adds brushed percussion and cello bed, then a fuller final pass lifts with shimmer strings and handclap accents. Intimate close-mic feel, airy harmonies, clean low end, warm and tender mix., light, folk-pop, acoustic, heartfelt, gentle, singer-songwriter, pop, soft, warm
Arena Thunder
Create a stadium alt-rock anthem for a powerful baritone male singer, 132 BPM. Distorted electric guitars with stadium crunch, melodic upright piano, lush orchestral strings, thunderous kick drum, crashing cymbals, driving bass guitar. The sound should feel massive, cinematic, and emotionally raw — like a sold-out arena at the peak moment of the night. Verses build with restrained tension and piano, pre-chorus lifts with strings swelling, chorus explodes into wall-of-sound guitars and full orchestral hit. Bridge strips back to sparse piano then rebuilds into the final colossal chorus. Vocals are passionate, raw-edged baritone with chest power and melodic grit — emotional and commanding. Avoid over-polished pop sheen, trap influences, synth-forward production, and cheesy arena clichés.
Never Looking Back
Create a stadium alt-rock anthem for a powerful baritone male singer, 132 BPM. Distorted electric guitars with stadium crunch, melodic upright piano, lush orchestral strings, thunderous kick drum, crashing cymbals, driving bass guitar. The sound should feel massive, cinematic, and emotionally raw — like a sold-out arena at the peak moment of the night. Verses build with restrained tension and piano, pre-chorus lifts with strings swelling, chorus explodes into wall-of-sound guitars and full orchestral hit. Bridge strips back to sparse piano then rebuilds into the final colossal chorus. Vocals are passionate, raw-edged baritone with chest power and melodic grit — emotional and commanding. Avoid over-polished pop sheen, trap influences, synth-forward production, and cheesy arena clichés.